Eliot Wild
New Member
- Joined
- May 24, 2012
- Messages
- 1
This is my first post on this site, so please forgive me if I rumple some feathers of Erikson's fans. I don't mean to do so, and frankly I think the man is a unique fantasist with amazingly rare talent. However...
I think Erikson's skill, at least as demonstrated in GotM, which this thread is about (not all his other books), was still developing at that time. I cannot, so I won't, comment on subsequent books. I've read two others, Deadhouse Gates and Memories of Ice, but I've not read his most recent installments in the series, and again, these other books and all subsequent novels are not the subject of this thread, so I'm just focusing on GotM.
Erikson's fantasy concept, as well as his uniquely stylized prose voice and narrative delivery, are breathtakingly ambitious things for fantasy literature. But... GotM really highlights some weaknesses he has as a storyteller. And I know people might counter-argue that if the story is enjoyed by others at all, then it is a success. The writer is a best-selling author. He has his fans -- no doubt. And I am one of 'em, for that matter, but only to a certain degree. My contention is that he is a best-seller not because of his often vaguely cryptic prose style, but despite it.
I think GotM shows Erikson struggling somewhat, challenged to reach a functional balance between complexity of world-building and clarity in storytelling. And yes, I just stole that line, somewhat, from a brilliant reviewer named Thomas M. Wagner. But I think it is the best description of Erikson and his first novel that I've thus far read.
I think Erikson's skill, at least as demonstrated in GotM, which this thread is about (not all his other books), was still developing at that time. I cannot, so I won't, comment on subsequent books. I've read two others, Deadhouse Gates and Memories of Ice, but I've not read his most recent installments in the series, and again, these other books and all subsequent novels are not the subject of this thread, so I'm just focusing on GotM.
Erikson's fantasy concept, as well as his uniquely stylized prose voice and narrative delivery, are breathtakingly ambitious things for fantasy literature. But... GotM really highlights some weaknesses he has as a storyteller. And I know people might counter-argue that if the story is enjoyed by others at all, then it is a success. The writer is a best-selling author. He has his fans -- no doubt. And I am one of 'em, for that matter, but only to a certain degree. My contention is that he is a best-seller not because of his often vaguely cryptic prose style, but despite it.
I think GotM shows Erikson struggling somewhat, challenged to reach a functional balance between complexity of world-building and clarity in storytelling. And yes, I just stole that line, somewhat, from a brilliant reviewer named Thomas M. Wagner. But I think it is the best description of Erikson and his first novel that I've thus far read.