Gratuitous Rape in Fantasy novels

Status
Not open for further replies.
*post deleted*

Look, zombiewife, please don't patronise me.

I haven't said anywhere that no woman should walk around feeling absolutely safe. What I'm saying, or trying to say, is that some women feel that way, some don't.

I don't like words being put into my mouth, maybe that's why I sound defensive.
 
Last edited:
Against my better judgement...

An author has every right to write what he/she pleases. It is a bonus if they take into consideration the thoughts and feelings of others and the social mores of the day. If they do so then more power to that author. Other writers will feel that they should not compromise to the gods of political correctness and social good taste. Again more power to such authors. Which type of author people would like to read is very much a matter of taste. On GRRM I find his works dark and I am thankful that I do not live in Westoras. But I also find his storytelling wonderful and his use of the English language excellent.

The most graphic rape scene that I have come across in Fantasy reading is a male on male rape scene in Bakker's Prince of Nothing series that involved two of the main characters. Whilst it was disturbing it did seem the logical step for one of the characters to take.

I have come across male rape references in Colleen McCullough's Master of Rome series, female rape scenes in Sharon K. Penman's Sunne in Splendour, and child rape scenes in Mary Gentle's Ash:A secret History. All three are HF or alternate HF in the third case and written by women. This issue is not just a problem for white, male authors, but is common across gender and genre.
 
Against my better judgement...

I have come across male rape references in Colleen McCullough's Master of Rome series, female rape scenes in Sharon K. Penman's Sunne in Splendour, and child rape scenes in Mary Gentle's Ash:A secret History. All three are HF or alternate HF in the third case and written by women. This issue is not just a problem for white, male authors, but is common across gender and genre.

It might be against all our better judgements, this thread...

I agree with you, Svalbard, it's not a white, male author thing. (I am no Requires Hate.) It's a too-common literary tool as the go to thing to put a woman in a place which the author feels they want to address. Val McDermid did it to Carol Jordan and I thought her reasons for doing it - to keep Carol and Tony apart and keep us on the will they-won't they tenterhook for longer were very poor.

I've also stated here on the thread that I have written a male rape of my main protagonist. (I also wrote a lot of torture which is, I think, what sticks in my readers' minds the most.) It wasn't a nice thing to write - even from a distance - and I suppose people could argue it wasn't neccessary. Most readers, though, have been okay with the role it played in the book and its sequel, and that includes some of the people on this thread. The thing is, if that gets published - and I hope it does, in some form - I will have to stand over the approach I took. Which I'm prepared to do. I spent many weeks and months researching and deciding what was the most sensitive approach to take to it.

In covering an emotive subject, which touches on peoples' own experiences, the subject becomes open for discussion. And if it's in the best selling fantasy series at the moment - I was at a meeting today and someone told me their 16 year old son is reading GOT at the moment, I said I hoped he enjoyed it - then I think it's right that we should discuss it, not least because it carries on some fantasy tropes which make some people uncomfortable.

I'm not of the opinion he shouldn't have written it. I'm not even of the opinion he shouldn't have included rape. But I am of the opinion that having done so, we have the right to discuss how it was done, and if that is something we feel has a detrimental effect on the norms of society, or the standing of women. I happen to think it does, and started a thread on the GRRM forum about it some time ago. That's only my opinion. But I certainly think it's worth talking about. (As this thread evidences.) And then, having talked about it, extending that argument out to the wider one, which isn't what did GRRM do - he is only one example, as you pointed out - but what that does to the genre we write in, and if that's the trope we want our genre to have within the core of its very popular books.
 
Yeah, sorry about the thread. I didn't expect it to get so long (stupid, I know).

It was supposed to stop me taking over Glitch's thread with rants about how being a virgin doesn't necessarily make rape worse but we've moved beyond that a bit.
 
This is a sensitive matter for everyone, folks, and it's all too easy to get annoyed/irritated by other people upon such an emotive subject. Let's all take a deep breath and try not to read posts personally, or, indeed, try to second-guess why some posters have written as they have. This has been a remarkably well-considered and well-mannered debate on an important topic. Let's keep it that way.
 
I'm not of the opinion he shouldn't have written it. I'm not even of the opinion he shouldn't have included rape. But I am of the opinion that having done so, we have the right to discuss how it was done, and if that is something we feel has a detrimental effect on the norms of society, or the standing of women. I happen to think it does, and started a thread on the GRRM forum about it some time ago. That's only my opinion. But I certainly think it's worth talking about. (As this thread evidences.) And then, having talked about it, extending that argument out to the wider one, which isn't what did GRRM do - he is only one example, as you pointed out - but what that does to the genre we write in, and if that's the trope we want our genre to have within the core of its very popular books.

I wholeheartedly agree with this. I get very irritated when people start trying to dictate to writers what they should write about and how they should write. But, I also feel that if someone writes a book like The Prince of Thorns, readers and critics alike should have equal opportunity to discuss its merits and flaws. I think you articulated this in a very reasonable manner.

At this point, one does have to ask if rape has become a trope in fantasy (especially epic fantasy). Sometimes, I feel like it has. Other times, I'm not so sure. I'm writing a gritty epic fantasy as we speak, but I do not intend to include rape. I think you can deliver enough of an emotional impact (to the character and the reader) without having to resort to rape. That's my choice. I honestly don't think someone is going to pick up my book and say, "Well, it doesn't have rape, I'm not buying it."

I love GRRM's work, but there are a few instances where I feel he falls into "stock rape" territory. As you stated, Westeros is not a place I would like to live. And, on the flip side, I can see how creating such a world might create fertile ground for the coming of a strong female character (Dany for example) to swoop in and shake things up. Even so, does it ring hollow now? Times have changed considerably since the first book came out in the 90s.
 
I honestly don't think someone is going to pick up my book and say, "Well, it doesn't have rape, I'm not buying it."

Quite. Fair enough if a writer wants to set out his stall as painting a no-holds-barred portrayal of the true nastiness of war, but that's not what I'm looking for when I read. I read fantasy for excitement, and to be stimulated by ideas and imagery that might not fit into portrayals of the real world. Most of the excitement for me in GRRM, for example, comes from the political maneuvring and schemes coming together, not the bloodshed and other nastiness. I don't think I should suffer charges of "escapism" just because I feel that, for me, a long hard look at the underside of human morality belongs more in well-researched history books and real-world reporting, of which I read my share.

My other point: the use of rape and suchlike has been widely criticised here as being a cheap way of motivating a character, but I'm just as suspicious of its use in motivating (if that's the right word) a reader: in stimulating certain feelings towards characters, either as victim or villain. I'm always wary of the dread hand of the author whenever I feel it trying to pull my emotional strings. Of course, if my strings are pulled without my being aware of it, that's superb writing, but the sense of the author wanting to up the ante is often quite strong in scenes of torture, rape etc. I wouldn't necessarily call it titillating or gratuitous, just ... calculated.

(Having said that, if it comes across as being not calculated, but having spring hungrily from the deepest dungeons of the author's subconscious, that's probably worse. My advice: steer clear of the whole area if you don't want people speculating as to what you're really like inside.)
 
I am afraid, svalbard, that I was rude to you the last time I posted. You haven't said so, but I apologize just the same.

But I get impatient when people dismiss it all as a matter of taste, or something that doesn't/won't affect us at all unless we choose to read it. And when I am impatient, I am not always as polite as I should be.

Here is what annoys me. So many readers and writers (not you, specifically, and maybe not you at all) are so inconsistent. On the one hand they'll say, it is important to write about these things, it would be untrue to the period if we didn't write about them (does the period care?), we must never lose sight of the terrible things that people will do. On the other hand they'll say, it's just a book, if you don't like it don't read it. So is it important when people write about these things (and if it is important, than why?) or is it really just about what people like to read?

Also, people will say, writers shouldn't censor themselves. They should write from the gut. No one should criticize something they haven't read. But this doesn't, apparently, apply to books that "sugar-coat" things. If a writer's gut says to write about characters who do heroic things instead of concentrating on all the horrors, then their gut is seemingly wrong. And plenty of the people who say that it is wrong to criticize "grimdark" if you don't read it (convenient for the writers if you have to go out and buy all of these books, or borrow them from the library in order to criticize the trend) will blithely go on to condemn fantasies they've never read because of all those noble plowboys who go out to save the world. Apparently, every book that depicts actual good guys defeating actual bad guys starts with a boy on a farm. I haven't noticed that myself, but maybe I'm not reading the right (or the wrong) books.

And then there are the readers who act self-righteous about reading the dark stuff. Like they have faced the truth and the world is a better place because of it. Life is hard, life is mean, all the world over and all through history people have done vicious and terrible things. We need to know that.

So I would like to say to these people (and possibly none of them are taking part in this conversation, but in case they are lurking and reading this) now that you know it, what the f--- are you going to do about it? Are you going to volunteer for a rape hotline? Will you lobby your congressman or member of parliament to introduce a bill about rape in the military? Are you going to pressure your local authorities to be more vigorous in their attempts to shut down sex-trafficking involving minors? Maybe you will; maybe you have. But most readers are just going to kick back, drink another beer (or whatever) and pick up the next book by their favorite writer.

It used to be, when writers wrote about the inhumane things that people do to each other, it would fire readers -- some readers at least -- with indignation. They'd demand that the poor laws be changed and the workhouses closed; they'd see that schools were reformed and young boys were no longer roasted over fires by the older ones; they'd make laws against meat companies turning their workers into sausages. But who ever decided to go out and change the world because they read a dark fantasy? Maybe they have. I've never heard of it, but I don't know everything. (Tolkien, on the other hand, actually did fire people with purpose. Save the planet. Stand up for justice. Don't let the buy guys win. OK, so mostly people didn't do anything, or if they did it was just to join a commune and smoke a few joints, maybe take part in a protest -- but the impulse was there. And some of them did join the peace corps and open clinics and work for legal aid.)

When the rapists and torturers are the main characters, and the (not nearly as bad as that, but still he hurts a lot of innocent people) bad guy is someone you come to love -- because you finally learn his backstory and understand why he became that way -- doesn't that set the bar for decent, humane, honorable, compassionate, ethical behavior pretty low? Do readers think, these books haven't influenced me to go out and rape anybody, so I'm a good person? Is not-having-committed-any-atrocities the new "good"? I'm merely asking this for information. If we think, that's the way the world is, that's the way it's always been, then isn't that an excuse for not doing anything about it? I think it's so complacent. I think it's an invitation to laziness. And I think it's also self-deceiving, because by reading these books, no one is actually facing up to what the world is like. It's all dressed up with fantasy trappings; it's not like the real world at all. If we want to know about the real world, then why don't we read about it, instead of about imaginary kingdoms in imaginary worlds?

What is wrong with reading and writing about a society that is better than ours, or at least better than ours was? We're more humane than we were five hundred years ago, so it is possible to build a society on something other than rape and pillage (even if there are parts of the world even now where wars and famines and extremism have caused society to deteriorate to that level). People are also capable of compassion, of sacrifice, of moral courage -- if they weren't, we wouldn't be here. The human race would have exterminated itself back in the Bronze Age (if not earlier). And let's not pretend that everything is relative, that morality is a social construct. There are some things that really are bad and some things that really are good. Some things are relative and some things are absolutes, and let's not mix them up, even though our complex motivations may mix them up in practice.

But where would be the conflict? I can hear (wholly imaginary and rhetorical) people asking. There are plenty of things that characters could struggle with. Natural disasters. Dragons and monsters (if you're going to have characters riding around on them in the "realistic" books, then why not make them a major threat?). Malevolent supernatural entities. (Of course that's coming a bit close to the battle between good and evil, isn't it? But it does provide characters with something to test themselves against.)

If we don't want to write about worlds where nobody is raping anybody or threatening to rape anybody, why can't we at least make our protagonists better than that? Can't they be struggling to maintain (not to attain, but to maintain) their fundamental decency in a chaotic world. Why is that "politically correct" instead of just the way some people are sometimes? I don't say that protagonists have to be perfect, but can't they provide us with a little something to aspire to? Can't they do that without getting their heads chopped off in the first book?

Why is it so hard to think up a story, a story that the writer wants to write (surely we all have more than one story in us trying to get out?) where it is possible to frighten readers, move readers, make readers cry, without using the easy, commonplace fantasy shockers like rape?

This has taken a long time to write, and probably seventeen people have posted since I began, and they've already said some of this, or said things that will make them think I am directing this specifically at them, when I didn't get a chance yet to read their posts at all.


.
 
Last edited:
It might be against all our better judgements, this thread...
I'm not of the opinion he shouldn't have written it. I'm not even of the opinion he shouldn't have included rape. But I am of the opinion that having done so, we have the right to discuss how it was done, and if that is something we feel has a detrimental effect on the norms of society, or the standing of women. I happen to think it does,

I disagree that his writing has a detrimental effect on the standing of women. I would think his female characters are strong, complex, flawed and in all respects very much real people. It is one of his strengths when compared to how authors like Robert Jordan characterised his female characters. His views on women, I believe are far more detrimental to the standing of women in literature, especially the fantasy genre.

On debating the issue, I agree fully.
 
I am afraid, svalbard, that I was rude to you the last time I posted. You haven't said so, but I apologize just the same. .

No need to apologize :) This debate has being conducted(by internet standards) in a civilized manner.

On your post I would find myself agreeing with you on most of it. I hate 'grimdark' just for the sake of it and will walk away from a story unless it has depth. A favourite author of mine, the late Hugh Cook, was writing 'grimdark' and satirical fantasy long before Martin and writers of his ilk. No rape, a little torture, but plenty of fun and lessons about life. At the time he was producing his books the fantasy genre was churning out replica quest books such as The Belgariad, The Dragon Lance Chronicles etc where one story melded into another. A change was needed. Tad Williams began it for this reader, Martin took it to another level and Erikson has now taken it to another universe. Apart form those authors I do not read a lot of fiction these days.

I can see how some authors and readers could be considered lazy, but this cuts both ways in the grimdark genre and the whatever the rest of fantasy is called genre. To be honest it is just all fiction me.
 
I'm going to take a somewhat different tack here:

When authors display a bias towards one of those, they are not being realistic, no matter what they or their fans might say. That's not reality--it's selective reality. Nothing wrong with selective reality, per se, but let's call it what it is.

As far as I'm concerned, I do want to read about the dark side of human nature, just as I do want to read about the positive aspects of it. I prefer when books decline to shy from either of those things, because they are both real. I do not mind disturbing violence in fiction, provided it goes somewhere interesting and says something profound. I strongly dislike it when authors use graphic and cruel violence as a cheap ploy to shock, or as a cheap plot device. Rather, I WANT authors to explore these things in a meaningful way.

For example, civilians are routinely massacred in the course of war. But massacres have meaning--for the victims, for their loved ones, for those who share a social or political identity with them, for witnesses and even for the perpetrators. Not only do they have meaning, they have complex meaning for all of these categories of character.

So for me it's not enough that we see a massacre to establish that Sir Murdersalot is a bad, bad man. Even worse if it's glorified. Rather, I want the horror of it to truly horrify me. I want to see how the victims try to pick up the pieces in the face of unbelievable trauma. I want to know how the act haunts his squire, or maybe even Sir Murdersalot himself. I want to know if the people in the next village over, who are also Wood Elves, organize a defense or run to the forest. Etc. Etc. Etc.
 
Yeah, sorry about the thread. I didn't expect it to get so long (stupid, I know).

It was supposed to stop me taking over Glitch's thread with rants about how being a virgin doesn't necessarily make rape worse but we've moved beyond that a bit.


I'd somehow forgot this was all my fault :eek:
 
I'm going to take a somewhat different tack here:

As far as I'm concerned, I do want to read about the dark side of human nature, just as I do want to read about the positive aspects of it. I prefer when books decline to shy from either of those things, because they are both real. I do not mind disturbing violence in fiction, provided it goes somewhere interesting and says something profound. I strongly dislike it when authors use graphic and cruel violence as a cheap ploy to shock, or as a cheap plot device. Rather, I WANT authors to explore these things in a meaningful way.

When authors display a bias towards one of those, they are not being realistic, no matter what they or their fans might say. That's not reality--it's selective reality. Nothing wrong with selective reality, per se, but let's call it what it is.

For example, civilians are routinely massacred in the course of war. But massacres have meaning--for the victims, for their loved ones, for those who share a social or political identity with them, for witnesses and even for the perpetrators. Not only do they have meaning, they have complex meaning for all of these categories of character.

So for me it's not enough that we see a massacre to establish that Sir Murdersalot is a bad, bad man. Even worse if it's glorified. Rather, I want the horror of it to truly horrify me. I want to see how the victims try to pick up the pieces in the face of unbelievable trauma. I want to know how the act haunts his squire, or maybe even Sir Murdersalot himself. I want to know if the people in the next village over, who are also Wood Elves, organize a defense or run to the forest. Etc. Etc. Etc.

Woops...that should read :

I'm going to take a somewhat different tack here:

As far as I'm concerned, I do want to read about the dark side of human nature, just as I do want to read about the positive aspects of it. I prefer when books decline to shy from either of those things, because they are both real. I do not mind disturbing violence in fiction, provided it goes somewhere interesting and says something profound. I strongly dislike it when authors use graphic and cruel violence as a cheap ploy to shock, or as a cheap plot device. Rather, I WANT authors to explore these things in a meaningful way.

When authors display a bias towards one of those, they are not being realistic, no matter what they or their fans might say. That's not reality--it's selective reality. Nothing wrong with selective reality, per se, but let's call it what it is.

For example, civilians are routinely massacred in the course of war. But massacres have meaning--for the victims, for their loved ones, for those who share a social or political identity with them, for witnesses and even for the perpetrators. Not only do they have meaning, they have complex meaning for all of these categories of character.

So for me it's not enough that we see a massacre to establish that Sir Murdersalot is a bad, bad man. Even worse if it's glorified. Rather, I want the horror of it to truly horrify me. I want to see how the victims try to pick up the pieces in the face of unbelievable trauma. I want to know how the act haunts his squire, or maybe even Sir Murdersalot himself. I want to know if the people in the next village over, who are also Wood Elves, organize a defense or run to the forest. Etc. Etc. Etc.
 
Oh dear, I never was much good at those "spot the difference" puzzles. Is the answer upside-down at the bottom of the page?
 
Sorry, but I can't do upside down.... :(


As far as I can tell, NF has simply moved the paragraph beginning "When authors display" down one paragraph.

(I'm comparing the original post - post#291 - with the second one, and ignoring the quote, which seems, confusingly, to be of the second version, for some reason.)
 
(I'm comparing the original post - post#291 - with the second one, and ignoring the quote, which seems, confusingly, to be of the second version, for some reason.)

Ah, tricksy!

But how ... how could he quote something that, at the time ... oh, horrors! ... that hadn't then been written?!!!!!
 
It's... er... time we were told....


(Not that we don't already know the answer.)
 
Status
Not open for further replies.

Similar threads


Back
Top