...and reasons why authors should especially read it.
My partner's a huuuge WoT fan and convinced me to give it a go. Well, without giving any spoilers (I've only just started book four, so please no spoilers!), I can say that I curled up on the couch and opened the first page. After a loooong prologue that I enjoyed enough to finish (and it left sooo many questions!), I flicked to chapter one... and was immediately back in the Shire. While I don't know if this was a wise move of Jordan's or not, I enjoyed my trip to the Shire (*cough* The Two Rivers *cough*). This gave the first quarter of the book a cosy feel and I got lost in the pages. However, the plot seemed generic - how can my partner LOVE this? I thought. But I read on, following the book's one POV character (well, just about!), and things got interesting. Overall, though, I really enjoyed some aspects even though I would say the book wasn't wow.
So, that doesn't sound like a good way to start a thread titled "Reasons to read WoT". Fear not. After constant cajoling from my partner, I picked up book two even though I felt there were better adventures I could go on in other books. Well, that went right out the window from chapter... three or so onwards (I can't remember exactly)! Suddenly, I discover Jordan had made a wrong decision - or a right decision, in some respects - to start the opening of book one very Tolkienish. It left Tolkien behind and became its own thing - a beast of a monster, with a world very different - and a society very different - to other series. The plot just spiralled and left me whizzing through the chapters, enjoying tons of new POVs (from characters I already knew) and moments of awe and wonder. Book three has gone exactly the same way, and has turned out to be my favourite. I've been assured I will like book four even more.
So, since I’d heard a lot about the negatives of WoT over the years, I thought I would start this thread to balance that. In fact, I think Jordan is a true master. Everything he does has been so top notch, and his world is so rich and vivid, I don't care that his prose is only "plain glass" as opposed to "stained glass", as Brandon Sanderson calls it.
So, here are the things writers can learn from Jordan:
1) Worldbuilding. It's absolutely jaw-droppingly amazing! Rich world, beautifully described, vast, with lands that really feel unique. People sound different depending on where they come from, and they look and act different from each other. And some ideas/places leave you in awe of their sheer creativity and beauty!
2) Characters. They feel fresh and original, and have proper cares and interests that have shaped them - and continue to influence them, for good or ill. Yes, characters change and grow. Also, the characters aren't intrinsically "good" or "bad", or - what seems to be preferred these days - "grey". They're human. Understandable. Relatable. Emotional. I like them all, so far, though one POV character - who starts from book three onwards - does seem to stand out, for me, because he's a fun, active character who's got free-reign to do what he wants instead of being herded and prodded by the world's puppeteers (yes, there are some people who try to... push people to follow what they want them to do). Saying that, even his reactive characters are loveable because of the situations they're in, and that's incredibly hard to do. Most reactive characters are boring, because they follow and nod, not leap off the page like Jordan's do.
3) Plot. This is up there on-par with Jordan's worldbuilding. His interweaving of epic plotlines works seamlessly through the novels I've read, and collide into each other at the end of every book - with spectacular, world-changing results. The plot is so epic in scale, even if it is a "farmboy needs to save the world" plot. There's not a single chapter that is wasted or "filler". I've learned a lot about plotting from reading it, because I realise that chapters I thought were needed in my novel really aren't up to par - at all; whenever Jordan opens a new chapter in someone else's POV, we're whisked away by mystery or action within pages. There's always something unexpected and gripping going on all the time, along with a huuue over-arching plot. Really, if a writer wants to learn how to make an amazing epic fantasy, this book is a must-read. I place it higher than GRRM (whose prose seems quite dry in comparison). Also, the ending to book three just leaves you.... wow. Oh, I wish I could say! Jordan has turned something on its head and left me dreading - and excited – to find out what the real... issue(? Can't think of a better word – I’m tired) is like.
4) Prose. Wow. Just... wow. I know I said Jordan was "stained glass", but that has no effect on how his writing makes you feel. I find his writing cosy like no other. It's writing that isn't dry and bland. It evokes feelings in the reader and really captures a sense of the place he's writing about. And if you're reading with your reader's brain instead of your writer's brain, the descriptions really flesh out the world - and some of the images created leave you with such a feeling of wonder. Writers can learn a lot from him about word use and richness. I see so many wannabe authors being very... technical... in their writing, for want of a better word, picking the best words for the job required. But Jordan goes beyond this and his prose comes to life.
Now... I'm going to go out on a limb here and say something. I might regret it later, once I've read the whole series, or you might come on and say I'm wrong, but... all these people that complain about how Jordan's stories are slow and have too much worldbuilding in them... I think the few-book lag that I've heard about in the middle of the series is the cause of it. I can't see how anyone could hate it, otherwise. Right now, where I am in the series, I have nothing but awe and amazement that one man can pull off such a well-paced, well-plotted, intricate, epic story with loveable and exciting characters. Everything is first rate. I wonder if old fans would be less harsh if they’d not had to wait two years plus between weak books. I'll find out, I suppose... Oh, and my partner says the series finishes strongly, so that bodes well. I look forward to my adventure!
Right! After that long post, I’m off to rest. I hope I've convinced some to give the series a try.
EDIT: And please, no spoilers in this thread for people who haven't picked up the books!
My partner's a huuuge WoT fan and convinced me to give it a go. Well, without giving any spoilers (I've only just started book four, so please no spoilers!), I can say that I curled up on the couch and opened the first page. After a loooong prologue that I enjoyed enough to finish (and it left sooo many questions!), I flicked to chapter one... and was immediately back in the Shire. While I don't know if this was a wise move of Jordan's or not, I enjoyed my trip to the Shire (*cough* The Two Rivers *cough*). This gave the first quarter of the book a cosy feel and I got lost in the pages. However, the plot seemed generic - how can my partner LOVE this? I thought. But I read on, following the book's one POV character (well, just about!), and things got interesting. Overall, though, I really enjoyed some aspects even though I would say the book wasn't wow.
So, that doesn't sound like a good way to start a thread titled "Reasons to read WoT". Fear not. After constant cajoling from my partner, I picked up book two even though I felt there were better adventures I could go on in other books. Well, that went right out the window from chapter... three or so onwards (I can't remember exactly)! Suddenly, I discover Jordan had made a wrong decision - or a right decision, in some respects - to start the opening of book one very Tolkienish. It left Tolkien behind and became its own thing - a beast of a monster, with a world very different - and a society very different - to other series. The plot just spiralled and left me whizzing through the chapters, enjoying tons of new POVs (from characters I already knew) and moments of awe and wonder. Book three has gone exactly the same way, and has turned out to be my favourite. I've been assured I will like book four even more.
So, since I’d heard a lot about the negatives of WoT over the years, I thought I would start this thread to balance that. In fact, I think Jordan is a true master. Everything he does has been so top notch, and his world is so rich and vivid, I don't care that his prose is only "plain glass" as opposed to "stained glass", as Brandon Sanderson calls it.
So, here are the things writers can learn from Jordan:
1) Worldbuilding. It's absolutely jaw-droppingly amazing! Rich world, beautifully described, vast, with lands that really feel unique. People sound different depending on where they come from, and they look and act different from each other. And some ideas/places leave you in awe of their sheer creativity and beauty!
2) Characters. They feel fresh and original, and have proper cares and interests that have shaped them - and continue to influence them, for good or ill. Yes, characters change and grow. Also, the characters aren't intrinsically "good" or "bad", or - what seems to be preferred these days - "grey". They're human. Understandable. Relatable. Emotional. I like them all, so far, though one POV character - who starts from book three onwards - does seem to stand out, for me, because he's a fun, active character who's got free-reign to do what he wants instead of being herded and prodded by the world's puppeteers (yes, there are some people who try to... push people to follow what they want them to do). Saying that, even his reactive characters are loveable because of the situations they're in, and that's incredibly hard to do. Most reactive characters are boring, because they follow and nod, not leap off the page like Jordan's do.
3) Plot. This is up there on-par with Jordan's worldbuilding. His interweaving of epic plotlines works seamlessly through the novels I've read, and collide into each other at the end of every book - with spectacular, world-changing results. The plot is so epic in scale, even if it is a "farmboy needs to save the world" plot. There's not a single chapter that is wasted or "filler". I've learned a lot about plotting from reading it, because I realise that chapters I thought were needed in my novel really aren't up to par - at all; whenever Jordan opens a new chapter in someone else's POV, we're whisked away by mystery or action within pages. There's always something unexpected and gripping going on all the time, along with a huuue over-arching plot. Really, if a writer wants to learn how to make an amazing epic fantasy, this book is a must-read. I place it higher than GRRM (whose prose seems quite dry in comparison). Also, the ending to book three just leaves you.... wow. Oh, I wish I could say! Jordan has turned something on its head and left me dreading - and excited – to find out what the real... issue(? Can't think of a better word – I’m tired) is like.
4) Prose. Wow. Just... wow. I know I said Jordan was "stained glass", but that has no effect on how his writing makes you feel. I find his writing cosy like no other. It's writing that isn't dry and bland. It evokes feelings in the reader and really captures a sense of the place he's writing about. And if you're reading with your reader's brain instead of your writer's brain, the descriptions really flesh out the world - and some of the images created leave you with such a feeling of wonder. Writers can learn a lot from him about word use and richness. I see so many wannabe authors being very... technical... in their writing, for want of a better word, picking the best words for the job required. But Jordan goes beyond this and his prose comes to life.
Now... I'm going to go out on a limb here and say something. I might regret it later, once I've read the whole series, or you might come on and say I'm wrong, but... all these people that complain about how Jordan's stories are slow and have too much worldbuilding in them... I think the few-book lag that I've heard about in the middle of the series is the cause of it. I can't see how anyone could hate it, otherwise. Right now, where I am in the series, I have nothing but awe and amazement that one man can pull off such a well-paced, well-plotted, intricate, epic story with loveable and exciting characters. Everything is first rate. I wonder if old fans would be less harsh if they’d not had to wait two years plus between weak books. I'll find out, I suppose... Oh, and my partner says the series finishes strongly, so that bodes well. I look forward to my adventure!
Right! After that long post, I’m off to rest. I hope I've convinced some to give the series a try.
EDIT: And please, no spoilers in this thread for people who haven't picked up the books!