Reasons why you SHOULD read WoT (no spoilers).

Every author writes differently. But don't be afraid of fleshing out your world. Letting your characters see wondrous things means that, if done well, your readers will feel a sense of wonder, too. You want to bring as much emotion into your readers as possible; emotion means your readers are feeling something and they're invested in your world and characters. :) This is what I really admire Jordan for - his characters meet amazing places/people/magics, etc, and I feel the awe with them. That's valuable to capture in a reader.


Let me know how you get on with books 1-3! And, inevitably, book 4. ;)



Edit: Oh, and this thread's for more than just me to spout my love for Jordan in. If anyone else wants to balance out the Jordan hate, this is the thread to do it in. And who knows, maybe more readers will give the series a try!
 
I just wanted to add to this thread. I've just finished book four, and whoa! The things that happened in it... :eek: AMAZING! I got to see things that I never thought I'd see, and in a couple of places I had to put the book down because I couldn't take in what had just happened - I was like, "No way! That CAN'T have happened! That's singularly the best, most astounding thing I have read".

I will say it again: Jordan is one of the best storytellers ever. His plots so far have never slowed down or got boring. I certainly can forgive whatever's to come based on the way he's expertly handled the interwoven plots in the first four and a fifth books I've read. :) Actually, I feel sad that threads in some of his middle books sound as if they became a little unravelled, because, based on how annoyed they've made others feel, it's put many readers off trying Jordan.

And nope, I don't hate any of the females. Sure, odd times they get annoying, but that's a good character. I actually feel something for them rather than feel nothing or only a mild interest. And... I only got annoyed with them because they're doing/saying things that upset characters I love.

And, yes, the women ARE true to themselves and their background. I would go so far as to say I think they're well done.
 
I decided to try book 1 on the basis of this thread, and my feelings about it so far (250 pages in) are mixed. I have several times been dismayed by the leisureliness of it -- many novels have concluded entire plots in less text than I've read so far. (I'm not sure how anyone can think there's too much going on!) Several minor characters have reminded me of NPC's I used to play when running D&D games: stock fantasy gatekeeper, cook, etc, albeit slightly better realised. And the main (and so far only POV) character, Rand, seems rather blank. In terms of writing, I wasn't impressed with the pacing in the only fight scene, which seemed almost as leisurely as the rest.

However, I have stuck with it, partly because it was the only book I had available on a flight, and to my surprise it seems to have got its claws into me. Though Rand is rather characterless, the others are filling out nicely, and the fact that Jordan does take his time, but is never less than readable, does give the world a sense of richness and reality. He's treading a fine line with this, though, in my opinion, and I think it would be too much of a risk for any new author (who wants to be published) to write anything so slow-paced unless they were convinced it was what they had to do.

As for his female characters, only a couple of things have annoyed me as yet. Some of the actions or words of one or two might almost have been the result of Jordan asking his mates during a beer-fuelled moaning session how their wives behaved. One thing I have noticed is that he is much more given to indicating emotion with physical actions in the case of his female characters, and these can seem slightly ridiculous. One character in a section I read last night stamped her foot and shook her fist to express annoyance. Since none of the men ever seem to do this kind of thing, it can have the effect of the women seeming over-demonstrative, like hammy actors.

Anyway, I'll keep with it, as the tension and background richness are starting to come together. And it's nice to know I probably have most of my reading for the next several months sorted out.
 
I am almost 300 pages into Towers Of Midnight. I really, enjoyed the Gathering Storm and am loving this one too. For everyone working or stuck in the middle of the series; persevere and it will be worth it. This is epic on a grand scale.
 
Wow, I'm glad someone else decided to give it a read based on this thread! Brilliant stuff. Hearing that has made my day! Harebrain, what you say is true - the first book is not the best book, by any means (and the opening builds slowly), but it's not plotless either. Yes, there's just about only one POV character in the whole book and he doesn't come into his own. But think of it like this: Jordan is grounding you in the world right now, teasing you with hints of what's to come without bogging you down with too much (if you can pick up on the hints). By a short way through book two, I was completely hooked. The first time I read someone else's POV (not in a prologue) I was excited! I was finally getting a glimpse into a person and people who are intriguing.

But, I ask - if no new author should write in such a detailed way (oh, I wish I could!), why did John Jarrold react the way he did upon reading it (see my quote from him above, if you haven't)? Why did he say how writers today can still learn a lot about "POV thoughts and dialogue to put across the background and characters with no info-dumps, while also engaging the reader in the story"? He even states that "It's terrifically well done". I mean, imagine writing something so good that a publisher actually "jumps up and down"! For me, I think your style of writing should match the story you're trying to create. Slow styles can suit some better than others.

For me, I've learned so much about POV from Jordan (I'd learned it before speaking to JJ). I see the little tricks he uses to really make POVs unique and interesting, the way he captures a character's background in the words he chooses and the ways of looking at a world that his characters do. I mean, all writers do it - but imo Jordan does it really well.

And look at his sales figures! For a long time he was the leading adult-fantasy-series author. His sales figures were over 44 million a few years ago. Love him or hate him, the man's done something right. :D And, thinking further, I feel his style suits the genre he's writing in. I like epic fantasy to be full of description, because it creates the sense of epicness and awe (imagine if an epic was all action, action, action - you'd feel there was lots going on, but you'd never really get a sense of how the world worked, never feel it could exist beyond the places visited; I've heard that's Memory, Sorrow, and Thorn's flaw, though I haven't read it yet). And Jordan's VERY good at creating different peoples and different places. The world feels so vast and unique, when plot threads and POVs come together, you get tingles!

As for his females, yes, I do agree that they are very much action-oriented, rightly or wrongly (weirdly, Jordan's wife was his editor, and she never suggested taming it or making the women's role more understandable at first). But you will get in their heads at some point, too. However, I don't have a problem with the woman's actions. Yes, one braid-pulls (but that is her trait; we all have bad traits) and they "sniff" when annoyed, but I feel they do that because of the role they have in society. If I can give a sort-of spoiler, they're used to being in charge. It's Jordan's flaw that he hasn't made this clear in book one, though, because it's led to a lot of people hating his women rather than understanding that they react the way they do because they have an elevated position (and sometimes the men rub them up the wrong way by being "stubborn", which basically means the women aren't used to men standing up to them and think it's a man's "stubbornness"). And I don't think the women know how to handle a man being stubborn, so they sniff and stomp and braid-pull, thinking the men will react to it and back down, because they see men as easily subdued (they're hanging out with the wrong crowd, then!). If anything, I think the women have such an elevated position, they misunderstand things about men that we get. But, I could be talking out my butt, here... ;)



Boneman, I read for an hour or less most nights, and I'm at the end of book five... :) To be honest, I can't believe how I don't notice the pages flying by. The series has drawn me in so much! The first book was definitely the one I liked least, in some way because of what HareBrain said: at that point I didn't feel for the main character, because he stayed pretty tame. And I would have liked more POVs.


Ratsy - great to hear! I intend to stick with it. I'm glad others have come on to defend the series. I didn't want this thread to be all about my reasons to read it, since there's got to be others out there who love it just as much, even with the derailed middle books. :)
 
But, I ask - if no new author should write in such a detailed way (oh, I wish I could!), why did John Jarrold react the way he did upon reading it (see my quote from him above, if you haven't)? Why did he say how writers today can still learn a lot about "POV thoughts and dialogue to put across the background and characters with no info-dumps, while also engaging the reader in the story"? He even states that "It's terrifically well done". I mean, imagine writing something so good that a publisher actually "jumps up and down"! For me, I think your style of writing should match the story you're trying to create. Slow styles can suit some better than others.

I think Jordan does get across background info well (most of the time -- I've just read a scene where a wagon-driver vomits backstory for two pages without anyone showing any interest). But EOTW was published twenty years ago, and my impression is that the industry (or the industry's perception of the reading public) is now more impatient than it was then. If a writer's style is naturally this leisurely, and it suits their story, then fine; but I don't think a writer should take Jordan's style as a model just because he has been successful with it. We can never know if it would be accepted for publication now. I suspect he'd find it a lot more difficult, but I could be wrong.

Glad to hear the books get better, BTW -- there have been a couple of occasions since my previous post when I've wondered about continuing. My plan is to at least read to the end of book 6, which I gather is a corker.
 
HareBrain said:
But EOTW was published twenty years ago, and my impression is that the industry (or the industry's perception of the reading public) is now more impatient than it was then.


I was waiting for you to say that. :D

Yet, there are still millions of fans out there who love the series, who revel in its detail. I never knew I was a fan of that style until I read it done well. I think the key is in balance. Some secondary worlds must be described so readers actually get a sense of where they are and how different life is for the characters, but some readers want constant action. So, perhaps the best course is a bit of both. Lots going on from early on, but plenty world-building and scene-setting so readers feel grounded (but not so much that it halts the action every other sentence!). A bit of description here and there in sentence-sized bursts, and a willingness to tell when it's necessary for a reader to know something vital without long scenes depicting it. Not to mention good characters who come into their own by the end of book one... :)

Oh! And in no way am I saying people must emulate Jordan's style. :eek: Writers should find their own style. Which is not to say you can't adopt and adapt good styles from others... Whatever makes your work stronger an' all that.

But it all begs the question as to whether the publishers sometimes get it wrong in judging forthcoming tastes. They themselves say that taste is subjective and they don't know what will be a big hit. If Jordan's style is so off-putting, why does it sell so many copies even today? Jordan combines a lot of successful things to make it work. And I, for one, feel that's what some books lack in this era of "must have action and no extraneous detail": richness and believability in the world. I like a world so detailed it leaves you wondering what's beyond the explored boundaries.


Anyway, YES! I cannot say it enough. I thought book two was amazing and much-better paced, yet it was nothing compared to book three... and then book three was nothing compared to the awesomeness of book four and its spine-tingling scenes in the middle and end! I really do hope you love the series, HareBrain, for sticking with it as you have done. I'd be interested in your thoughts on future books. :)

P.S. Thinking back, I remember book one having moments of tenseness and then slackness. I kept thinking it was all coming to a head, then it didn't - until later on. But I've not had that with any of the other books. They all keep building and building and interweaving.
 
I really like these books and even though people complain about lag in the middle or some of the characters getting annoying sometimes I think it's amazing how much Jordan created and how enjoyable it is to read stories from that world. If we think about the books like a TV show there are some really epic episodes and some mediocre ones. Same thing for parts of the WoT story. Sometimes it really gets going and sometimes it plods a little but reading through all the adventures of all the characters is way more entertaining than a lot of other things a person could be doing and even just spending some time exploring a familiar fantasy world can be fun whether there is anything really exiting happening or not.

Also, I think Sanderson go off to a bit of a shaky start in emulating Jordan's approach to storytelling but seems to have hit a good stride. I would recommend these books to anyone who wanted to spend some serious downtime relaxing with a fun adventure.
 
Great to hear such a glowing summary, Robert! I like what you say about likening it to a TV series - we've all seen duff episodes of our favourite shows, or slow scenes in a good movie...


But yeah, I keep hearing the same off people who've read the entire series - not to give up and to forgive the slowness in the later books - which I fully intend to do (and, really, I'm curious to see what went so wrong!). I do hope this thread encourages others who wouldn't have otherwise to try Jordan.

Anyway, I just finished the end of book five - OMG!!! Who did it?!?!?! And book six's opening... whoa! When I realised where we were and whose POV we were in... :eek::eek::eek:
 
Just an update from me, for the sake of closure. I reached the end of the first book and decided not to carry on. If Tar Valon is analogous to Rivendell in Lord of the Rings (which I think is fair; it's the place they set out to reach, where they hope to be safe and get information on what's going on) then Jordan takes 800 pages to get the equivalent of somewhere beyond Bree, and with about the same amount happening. It's just too slow, and the characters mostly don't feel real enough for me to truly care about. Most of it reads well enough at the time, but looking back, it seems like a wasteland of non-event. The only main character who has any potentially interesting development (though not in a positive direction) has it magically healed, and the climax is achieved by someone doing something he didn't know he could do, and which he didn't intend.

If I were back in my student days, and had acres of time to waste (yes, I did a social sciences degree) I might well lap up the whole series. But I'm not, I haven't, and I won't. Anyway, I gave it a go -- I can understand how others might love it, but it's not for me.
 
Oh, I'm sorry to hear that. That upsets me... :(

If I can just say a few words, though... [MAJOR SPOILER ALERT]Just about everyone in the book is hugely important (and you'll see them again, even ones you don't realise). The White Tower is nothing like the equivalent of Rivendell, even in story terms... and, remember, even *I* said the first book was by no means the best (and it's my least favourite of all the first five books, because it dips and peaks all the time and the characters don't come into their own or grow too much... which was maybe fine twenty years ago). The character you say gets magically healed... well, isn't healed at all. I thought that might have been made clear? The taint has only been held back briefly. And yes, said character is one of my main favs later on, and most people's fav...

Oh! I wish I could explain more about Ta'veren than you get in the first book! It explains so much - and it's exciting and interesting and brilliantly handled!!! And Mat is just awesome!!! I love seeing how Ta'veren affects the three guys from the Two Rivers...

Anyway, even the fact that a certain someone is suspected to be the fabled you-know-who isn't just a passing mention - and he channelled lightning earlier on in the book without realising it, didn't he? Think how that fits in with the prologue and what the man in the prologue did and what he became. And said character won the end battle "by accident" for reasons that will become not so "by accident" as you progress into the series. The plots have all been thoroughly worked out in advance, so everything comes together even when at first you don't understand.

And think about the consequences - any man who can channel will go mad. All male channellers had to be killed after the Dark One tainted the male half of the True Source. Yet the man is needed in the fabled Last Battle against the Dark One when he breaks free from his seals (the seals are weakening; that's why a Forsaken was loose at the end of the book).

Also, the wolf story carries on, as does Mat's, as does Loial's, as does Morraine's, as does... everybody's! It all gets bigger and better. I better not give too much away.
[/SPOILER]

But thank you for giving it a go. I hope if others see the same flaws as you, they will at least give book two a chance (I always said book two is the decider book - that's when the plot, characters, and world really take off, especially as you get more POVs). :)

Thanks anyway, HareBrain. :)
 
Well if you do, PLEASE make a promise to yourself that you'll ONLY stop a decent way into book two, if you must stop at all. Stopping at the end of book one is so unfair to the rest of the series, which gets far, far better...

I know a person shouldn't have to say that, but in this case I strongly believe it's the truth. It took me about two years to pick up book two after book one, cos my partner badgered me into it and I'd been meh about the first book (I thought it was okay, and interesting at times, but I didn't think it was better than other fantasy books I'd read and loved).

Now I'm Jordan's biggest fan, and book four's middle, near-end, and end blew me away! :D
 
Have to stop at book one, unless he hooks me. That's the point of a first book, I think. :)

I also have a HUGE reading list to get through this year, and some are draaaagging.
 
But thank you for giving it a go. I hope if others see the same flaws as you, they will at least give book two a chance (I always said book two is the decider book - that's when the plot, characters, and world really take off, especially as you get more POVs). :)

Hi Leisha

I read your spoilers, and yes, I did understand all that, and that everything would become important later on, and that the magical healing I'd mentioned would only be temporary. But for me, EOTW is too long a book to be looked at only as part of a series -- 800 pages has to provide a good deal of satisfaction in its own right.

I remembered that you'd said book2 was better. I did in fact have it on reserve from the library, and I read the prologue included at the end of book1. But then I read a few Amazon reviews of it, and got a sinking feeling when they talked about nothing much of any importance happening in the middle thirty chapters. If you think this is grossly unfair of those reviewers, then I might still be convinced. (I should add that I'm not hugely interested in worldbuilding as such. Jordan's world is more interesting and better realised than most in fantasy, but not so much that I'd read about it for its own sake, without something interesting -- preferably psychologically interesting -- also happening to the characters.)


edit@Brian:

Have to stop at book one, unless he hooks me. That's the point of a first book, I think. :)

Am I really so impatient for thinking that's the point of the first chapter?
 
Okay, in my last-ditch attempt to get people to read book two (;)), I thought a good idea might be to list a few things for readers of book one to think about after they've finished it (I'll white them out, so not to give spoilers to non-readers):

1) Rand is suspected to be the Dragon Reborn. Think back to the prologue and what the Dragon Reborn did in it (eep!!!) because a man who can channel will go mad from the taint on the male half of the True Source, and the Dragon Reborn killed his family in his madness, then turned his home and self into a mountain in his grief, when someone mysterious gave him a moment of clarity to see what he'd done.

2) Aes Sedai cut male channellers off from the Source or kill them, because of the dangers they pose when they eventually go mad. I should point out that anyone cut off from the True Source - male or female - eventually kills themselves because they feel empty and lifeless. So it's the same either way: die at the hands of Aes Sedai, or be gentled and then kill yourself from the emptyness...

3) Rand can channel, though he doesn't know how to control it (he better not tell others he can channel - eep!). But some claim he's the Dragon reborn, which means he might have ties and... things... to that man in the Age of Legends.

4) Mat's taint from the dagger is causing strange personality quirks to come out, and though the taint is held back for now, he will die or taint others if he doesn't go to the women channellers in Tar Valon, but...

5) Tar Valon is the home of the female channellers, lead by the mysterious and powerful Amyrlin Seat. Or, in a different wording, the home of those who would kill or "gentle" male channellers... Can you see the conflicts building? Also...

6) The Dragon Reborn is prophesised to face the Dark One in the Last Battle, because the seals holding the Dark One in place are breaking and one of the nine Forsaken (powerful Aes Sedai from the Age of Legends, who serve the Dark One) got loose, yet Aes Sedai don't allow male channellers so how can any Dragon Reborn, whoever it turns out to be, live long enough to fight the war...?

7) Egwene and Nynaeve have the ability to channel. They need the White Tower's (Tar Valon's Aes Sedai) guidance to teach them to become Aes Sedai, or else they could harm themselves. Yet they're friends with Rand and co., and Rand can secretly channel, which female Aes Sedai won't allow, which means...
:eek:

See, already there are loads of conflicts building... There are more than that, but those are the obvious ones I can think of, looking back. And things get really big and bad when more races and peoples come in.

The other spoiler post above will list some more things to think about for reader's who've finished book one but don't think much has been learned. :)


And yes, HareBrain, as you can see from above, I feel that lots build and grow in book two, because there's already tensions there if you pick up on the hints. I think that's another problem - sometimes Jordan's hints can be too subtle, so people miss them if they're looking for lots of action. But either way, I would say rather than listen to me (after all, my opinion is just my own) or Amazon reviewers, who aren't the most reliable (I couldn't believe one reviewer about book 4, my favourite book, when he said nothing happened - what book was he reading?! He contradicted loads of others, who said it's one of the best books) try it and see. That's all I can say, really. :)

Personally, I loved book two and then I loved book three... and then I couldn't believe Jordan had beaten them with book four. But those scenes in book four... oh my goodness! I literally had to put the book down a few times because I couldn't believe what I was reading - it was so shocking and exciting and intriguing! I've never had that before.
 
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Well, I've started it, and thought the first few pages awful. Brambles do not die back into a brown web in winter (they don't die back - certainly not in my garden in the Highlands of Scotland!) and nettles are not prolific in spring. Jordan keeps telling us how windy it is, but also tries to state it's utterly quiet - a contradiction IMO. Rand wanders about holding a nocked bow in one hand - why? Is he expecting attack any moment? And with the wind that arrow is either going to get blown out or knocked out and broken and that means wasting an arrow stupidly. And then the rider appears, all dressed in black, and Jordan tells us he "gleamed not". Um, why should someone in black be expected to gleam? I won't even mention the use of place names which feels feel obviously derivative ("Mountains of Mist" and "Bel Tine").

All in all, an awful first couple of pages - reminded me of when I read Brent Week's "Way of Shadows" who had a load of problems at the start and then improved.

But then we reach the village, and the description turns masterful. It's not simply that village is described: it's the people, how they live, their politics, their aspirations and mindset, and how Rand and Tam fit in socially. It's all done so naturally. And then the descriptions of where the village lays in the landscape, little details about how the North Road becomes the Old Road at a certain crossing, for no reason that anyone remembers.

I figure this is the section (and onwards) that is remembered fondly - the way Jordan can describe so much, and make everything feel so alive and real. The amount of detail is incredibly rich and vast, and beguilingly so - in passing he happens to mention courting rituals, cooking, the unique role of women in the village, the games children play, and so much more.

I tip my hat and hope I won't get too hooked into the series - I have too much to read first!
 
I figure this is the section (and onwards) that is remembered fondly - the way Jordan can describe so much, and make everything feel so alive and real.

I agree that this is true of Jordan's world, and this is his strength. However, in my opinion (I've been mulling this over since my last post) it doesn't extend to the characters. With the possible exceptions of Moiraine and Thom, none of them feels real or interesting, and few of their interactions seem natural. The main reason I don't think I'll be continuing with the series is that I just don't care about any of them. I'd be interested to see how you feel about this aspect by the end of the first book.
 
Okay, well... wow! I didn't expect Jordan to jump to the top of your list, Brian! :)

One thing I always think about when reading fantasy is that it's just that... second-world fantasy. Yes, brambles do not "die back in winter" in Scotland, but we're not in Scotland. ;) Perhaps brambles, or whatever type of plant those people think of as brambles (may not be bramble-like at all by our definition!) DOES die back to a brown web. I know I'll be relying on the same thing in my world, for reasons that won't be explained at first (you'll get plants that people wouldn't expect to grow in such a wet climate, for example). Hmm. As for the utterly quiet vs. windy, I get what you mean. That could be taken that way. I figure he meant that it was very windy, yet there was a kind of hush where normally there were people and carts and life (oh! and birdsong, and animals - yet they're missing). I could be wrong, though, cos it's hard to remember that specific part!

As for the knocked bow in the wind... all I can say is, he's a VERY good shot, and I doubt wind would make too many of his arrows miss... I can't say much more, though. I'm not sure the reason becomes apparent properly (i.e. is stated in terms most people can't fail to understand) until book two, however...

I definitely agree with your summary of his masterful, rich descriptions. I re-read the opening the other week - just the first 115 pages - and the writing DID have that cosy feel, even though you could certainly argue that it's not a fast-paced opening (agents don't always want fast, though; they can enjoy a slow build-up with increasing tension). It was so nice to see the Two Rivers described as the idyllic village it was and the relationships back as they were (they change so much over the series). :)

Anyway, if you're loving the details, the way Jordan makes the world really come alive through little touches here and there, I have blossoming hope you'll enjoy it. That's one of the things I admire about the books - the way the world feels like a real place, with titbits here and there about history that readers slowly note to get a bigger picture. And though at times it feels like there's not too much going on, it's all leading you somewhere and making connections that the next book will start weaving into a bigger plot. Overall, I feel the series so far a terrifically well-done example of epic fantasy (and the rich world was the reason I continued reading the series even though I was so-so about book one.) Plus, it's the biggest-selling epic fantasy series of all time, according to sales figures, if you count Lord of the Rings as one book... http://thewertzone.blogspot.co.uk/2008/10/sf-all-time-sales-list.html . And, since I'm writing epic fantasy, it's good to know what that amount of readers love. And the tale just gets better and better.

I'd say it's worth any aspiring epic-fantasy writer to read, to see how multiple plots are handled well throughout such a long series. :)

But, like HareBrain, I am VERY interested to hear what you think of the book. Someone's got to love it as much as me, and since you write epic... :D


HareBrain - aaaah! Moraine and Thom!!! I LOVE them! ^_^ They're not my ultimate favs, though... Some of my favs you don't meet properly (or at all) until book three... And apparently I don't even know half of the characters still to come! :eek:
 

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