I'm struggling to get through Gwynne's Malice, but like Jordan, that seems focused in the main on a single heroic character in the form of Corban.
I had it in my hands at the book store this weekend. How is it?
I'm struggling to get through Gwynne's Malice, but like Jordan, that seems focused in the main on a single heroic character in the form of Corban.
I had it in my hands at the book store this weekend. How is it?
To me the distinction has always been clear:
Heroic Fantasy - deals with the main protagonist on an quest/adventure of some sort (world altering or not) like: "The Hobbit"
Epic Fantasy - deals with the struggles of many protagonist, in different places, on a potentially world changing/ending scenario: "Lord of the Rings"
So it would be a combination of point of view, what is at stake and scope.
But even though epic fantasy tends to run through multiple books it isn't a requirement ("Lord of the Rings" was intended as one book) and heroic fantasy isn't limited to one and done, it can be serialized or continued (again like "Lord of the Rings" is a sequel to "The Hobbit").
(It should be considered a given that these events must take place in a High Fantasy setting.)
To me the distinction has always been clear:
How would you categorize a books like
Islandia by Austin Tappen Wright
The Book of the Three Dragons by Kenneth Morris
Vathek by William Beckford
I quite agree - and welcome to the chrons forums.
Is there really a distinction between Heroic and Epic Fantasy? Is it simply a matter of scope?
If there is something as being inherently good or bad, neither of these 2 states (natural or nurtured) means someone is more likely or able to act heroically. I think a heroic act stems more from the occasion, the need for a heroic (more likely, desperate) action and the mentally condition at that particular time of the hero to be. But I believe people are grey, in the sense that no one is either good or bad. A heroic soldier beats his children at home. A coward runs into a burning house because is love is inside. The criminal takes care of his demented mother.Is it possible that being inherently good or bad is irrelevant as to whether someone is a "hero" or not, and that it actually implies someone able to act in ways that are somehow supernatural?
If there is something as being inherently good or bad, neither of these 2 states (natural or nurtured) means someone is more likely or able to act heroically. I think a heroic act stems more from the occasion, the need for a heroic (more likely, desperate) action and the mentally condition at that particular time of the hero to be. But I believe people are grey, in the sense that no one is either good or bad. A heroic soldier beats his children at home. A coward runs into a burning house because is love is inside. The criminal takes care of his demented mother.
What makes a hero? Circumstances.
Don't be so sure.Just coming back to this, and the OED apparently defines "epic" as "grand in scale or lengthy and arduous".
Presumably they mean for the characters, not reader.
And another thing it mentions - "heroic" can mean denoting admirably courage, outstanding achievements, and worthy of emulation. Does that really apply to Gemmell's main characters, especially when they all tend to be flawed and morally grey?
Is it possible that being inherently good or bad is irrelevant as to whether someone is a "hero" or not, and that it actually implies someone able to act in ways that are somehow supernatural?
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