Working on a Martin-esque epic set in historical fantasy world modeled on ancient Greece and Persia. After faffing around for a couple years doing research, compiling notes, and sketching characters, I got down the business in earnest about three months ago, and now I'm 60,000 words in, managing to keep to a pace of 5,000 words a week.
What I'm finding easy: Dialog. Get my characters talking and I whip off 1,000 words in an hour no problem.
What I'm finding difficult: Plotting a story of such complexity. Four major POV characters spread over half a continent. The need to construct a satisfactory story for the first book, but also keep the overall story (and characters arcs) in mind for the projected three-book series. I have a loose plot-line, and I know how things will end. But I'm finding it very distressing when I'm just letting myself go with a plot-line and I become nagged by doubts about whether it fits or I'm taking my story down a dead-end.
What I'm finding easy: Dialog. Get my characters talking and I whip off 1,000 words in an hour no problem.
What I'm finding difficult: Plotting a story of such complexity. Four major POV characters spread over half a continent. The need to construct a satisfactory story for the first book, but also keep the overall story (and characters arcs) in mind for the projected three-book series. I have a loose plot-line, and I know how things will end. But I'm finding it very distressing when I'm just letting myself go with a plot-line and I become nagged by doubts about whether it fits or I'm taking my story down a dead-end.