@hitmouse :
Dungeons and Dragons role playing, for instance, is a mashup of ideas from both writers. Game of Thrones as well, I suppose. There are many more.
There is no doubt that both men played role in the development of Dungeons and Dragons
@hitmouse :
Dungeons and Dragons role playing, for instance, is a mashup of ideas from both writers. Game of Thrones as well, I suppose. There are many more.
@Capricorn42
Cool. Quoted from a comment I
made in 2014. I did not realise this thread was that old. Thanks.
I hope I didn't make you feel old....Cool. Quoted from a comment I
made in 2014. I did not realise this thread was that old. Thanks.
And those are terrible.Since there are no new Conan pastiche Novels on the horizon . All that's left is comic books.
And those are terrible.
The older ones vary from good to great, especially Savage Sword of Conan. I was speaking of the recent Marvel reboot. Dreadful stuff.ive read Conan comic and Graphic novels. I thought them decent.
Really?I said this a long way back in this chat I suspect, but no harm in repeating it.
Tolkien will be talked about as if it is a life changing experience but rarely read
Howard will rarely be talked about but often read
Thats it, Really? ... expand, stretch out, qualify ... and other such wordsReally?
YesReally?
I am a huge fan of Howard's and think his style is one that deserves more emulation today. I've read and reread Howard's stories many times. Personally I cannot rate Howard over Tolkien or vice versa. They are two separate but equally engaging authors.I said this a long way back in this chat I suspect, but no harm in repeating it.
Tolkien will be talked about as if it is a life changing experience but rarely read
Howard will rarely be talked about but often read
So you need to decided wether you prefer style over quality on this one, personally for me Howard, we still see so many Howard like novels out their and more every year where as not so sure epic fantasy owes Tolkien that much? Lovecrafts Quest of Iranon has more depth and luckily fewer words.
I am a huge fan of Howard's and think his style is one that deserves more emulation today. I've read and reread Howard's stories many times. Personally I cannot rate Howard over Tolkien or vice versa. They are two separate but equally engaging authors.
But Tolkien rarely read? I think not. Many people that don't like fantasy as a whole have read either The Hobbit or The Lord of the Rings. Howard is pretty much the exclusive realm of fantasy and S&S fans.
The older ones vary from good to great, especially Savage Sword of Conan. I was speaking of the recent Marvel reboot. Dreadful stuff.
I said this a long way back in this chat I suspect, but no harm in repeating it.
Tolkien will be talked about as if it is a life changing experience but rarely read
Howard will rarely be talked about but often read
So you need to decided wether you prefer style over quality on this one, personally for me Howard, we still see so many Howard like novels out their and more every year where as not so sure epic fantasy owes Tolkien that much? Lovecrafts Quest of Iranon has more depth and luckily fewer words.
This is an old-fashioned topic, Baylor. I don't suppose Tolkien and Howard are linked very often these days, but it's funny to see Tolkien and LOTR being invoked to market Conan back around 1966.
Tolkien and Fantasy: Pre-1970 Paperbacks with Comparisons to Tolkien
Tolkien and Fantasy: Dale Nelson's Summation on Tolkien in pre-1970 blurbs
My sense is that Howardian swords-and-sorcery is just about played out as far as big publishers are concerned, i.e. that it's old-time REH fans and small-press folk who keep working in the genre. On the other hand, I attribute largely to the influence of Tolkien and to authors who were imitating him the proclivity of publishers to desire, and writers to supply, the endless swarm of "trilogies" and series books in sf as well as fantasy that we have today, and which I, though a devoted Tolkien fan, veteran of 13 readings of LOTR, etc., find really unattractive.
http://www.sffchronicles.co.uk/forum/547783-which-books-dont-do-it-for-you-2.html#post1803160
I don't mean to be snide, but accurate, in saying that an imaginative 15-year-old can write a passable Howard imitation -- and many of us have -- but no one can match Tolkien, and the best fantasists are those who may be influenced by him but who have a lot of their own substance to bring to the typewriter. I think of Ursula Le Guin's first three Earthsea books, for example.
Much of what I've written is my impressions, so perhaps someone will correct me.
I think that, without Howard and, especially, Tolkien, modern fantasy as a publishing niche would not be the presence that it is -- for one thing, those Jackson movies wouldn't have been made, and they must do something to keep the field of fantasy publishing going.
That's mostly a quantitative observation. Qualitatively, Tolkien showed that the imaginative romance can still profoundly move modern readers and affect their very lives. I have no doubt that reading Tolkien affected my inner world for good, for life, ever since around 1966. I think many people felt differently about the natural world after they immersed in Tolkien; yes, I think he not only benefited from, but contributed significantly to, the development of a responsible mass movement for respecting and cherishing the natural world. See the book by Dickerson and Evans (far better than its cutesy title), Ents, Elves, and Eriador.
http://www.sffchronicles.co.uk/forum/532928-tolkien-and-agrarianism.html
Howard accomplished nothing comparable to that. If he had never written anything, you could still get a lot of Howard-type excitement, at least at a young age, from the Barsoom books of Edgar Rice Burroughs and so on, though one grants that his mixture of violent heroes, Theosophical notions about race and so on, and monsters was his own.
As a footnote to my old posting -- I'd go so far as to say that, to the degree that it had any influence in the first place, Howard's example tended to restrict one's understanding of what fantasy could be. That is, from Howard you would get the idea that fantasy is almost nothing but quick escapism. To read Howard with enjoyment, you have to read him as escapist entertainment; otherwise you will get bogged down in how perfunctory his nomenclature is ("Thag" and names obviously lifted from history), how reliant on stereotypes about relations between the sexes or between ethnic groups he is, how hasty his plotting is liable to be, and so on. Writers of fantasy who were familiar with Howard and had enjoyed his yarns had to realize that fantasy could be much, much more than this.
Conversely, Tolkien's example showed that fantasy could connect with perennial human concerns in ways that enriched one's inner world. I do believe that, if it could be written, an account of the change of consciousness towards the nonhuman world (="nature") that has developed in modern times is indebted to Tolkien as well as other writers. People's experience of the natural world is actually different from what it would otherwise be because Tolkien's fantasy gets under the skin. This author -- certainly a conservative -- is, if you like, a revolutionary, in that sense, someone who changed minds -- and (unlike most revolutionaries) in wholly beneficial ways. By now his influence is felt not only by people who have not read him but by people who haven't watched the movies, etc., or so I suspect. I wouldn't be surprised if the revival of travel writing in the past 40 years or so -- especially the vogue for books about traveling by foot -- has been, sometimes, indirectly influenced by Tolkien. But the story here would be one that's hard to pin down.
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