Paperback or ebooks?

What I am really liking with self-pub is the variable lengths of the books, from novellas being more possible, to ones that are extremely long - but you get to find out what happened to absolutely everybody in the multi-character cast. With the latter I sometimes get thrown, because I have years of my expectations being trained in expecting a certain arc to a story from what is done in trad pub, but I come up for air, plunge back in and often on the second read am fine with it. I find it satisfying when lots of loose ends are tied off - some trad books leave me going "but what happened to so and so, I liked them best". Self-pub makes it possible to write side branch novellas, or what happened next novellas.

Ain't that strange? I loath the (it seems to me) modern trend in filmmaking (it may be true too in books I don't read enough modern stuff to know) that every single sodding character, no matter how minor, has to have their 'story arc' completed. Every loose end and uncrossed I and dotted T in the plot has to be laid before the viewer and explained in laborious detail. I liked not knowing. I liked having to work it out for myself. I liked walking away from something thinking, "what the hell was that all about?" - which reminds me I must watch Mulholland Drive yet again. I've had a few ideas.

End curmudgeonly, sleep-deprived, old fart man rant.

Carry on.
 
It's not all of them, just a subset. Though there is definitely a trend for spin off series, that once you get a good minor character getting a bit bigger, they get their own series.

One trend that isn't for me, that I've so far only seen in urban fantasy, is the author involving their fan mailing list in voting on which way the plot should go at certain points in the writing. I carefully don't read those emails and wait for the finished product. Seems to be things like "would you like the new were wolf character to be an old flame, a relative or totally new to the protagonist"
 
Back to the OP...
I like paper books; these days hardbound--mostly because they often have bigger print and feel much more solid.(declining eyesight.)

However, my comprehension is better with E-books and the backlighting tends to keep me awake.

Now days I read a paper book when I want a good nap--except the hardbound makes a bigger noise when it hits the floor.
 
I'm surprised by the amount of -- dare I call it -- snobbishness about eBooks in the thread.

Is the argument being made one of terminology as well as/instead of reading preference? By that I mean, do people want eBooks to be called something without the 'book' part (see Bick's definition above), or is it a deeper dislike, of the actual media itself?

Romantically, I prefer a paperback (never been a fan of hardbacks but that's a different issue); the somatic part of turning a page, the physical presence, the smell, the artwork, and the somewhat hoarding of it on my bookshelves. It's so hardwired into my emotional memory that it's perhaps more than the sum of its parts. I love it when I read an OOP or pulp paperback from the Seventies or Eighties and there is that extra material at the back where you can purchase other books by sending an SAE (I recall the Fontana horror books and other pulps did this often and the child me used to marvel at the titles and imagine what they might be).

But as I have got older (and broke-r), and as a freelance teacher, I've shifted almost exclusively to eBooks. I travel between 1.5 - 4 hours per day depending on the school and I've really noticed a great more ease carrying my Kindle around which now has well over one hundred books on it (I've had it nerly 3 years -- I'm a slow reader). I nearly didn't finish Justin Cronin's The Passage or Mark Danielewski's House of Leaves, because they were so cumbersome to carry about (the latter would be impossible to read on a Kindle due to its maverick style). I have H P Lovecraft's Necronomicon collection (the common black hardback with gold embossing edition) but when I was given a Kindle I bought it again as an eBook because it was a hateful size to carry, and awkward to read at home, too.

Kindle books are far cheaper -- I was delighted with the 99p that Dickens' entire catalogue cost me when I was researching for one of my novels (Hard Times, in particular), although I think Du Maurier's Rebecca cost me nearly the same as the solid copy.

In addition, I have recently been referred to specialist for a series of tests regarding ADHD which has a massive variety of spectrum depending on the sufferer, and some of mine seem to be kinesthetic (possibly dyspraxia) as well as purely executive mental functioning. What this means for me is a Kindle can make a massive difference to my reading experience. For example, as an ADHDer, when I read a term I don't know in a paperback, I can be engrossed in the narrative, but a little voice is nagging me to find out what the word is. This would mean putting the book down, going online and finding out, then coming back to the book, by which time my concentration will need refocusing, I may have seen something else (ooh, shiny!) and become distracted.

Then there's the other way, which is to try and ignore the word, parsing it from context, but four pages later realise I've not been paying attention as my mind's been constantly chattering redundantly about whether or not I should get off my backside and look for a definition of the term. It's torture.

On an eReader, I just tap the word/term and it opens up a dictionary or Wiki and there you go. A lot less risk of distraction.

Then there's the immediacy. As a neurodivergent, my mood can be capricious when starting a new book. I could go to Foyles with the lads and by the time I get home, not 'feel' the book. As an eBook I can buy it instantly, and if it turns out a poor choice for my mood, I can buy another if I wish.

Flicking back and forth between chapters or pages, saving bookmarks on passages I need/want to refer to later in the book is a cinch. Sure you can do this on a physical book, but it's easier and quicker on my Kindle.

Star reviews on a Kindle is easier, too. By linking it to your Goodreads account, you are asked at the end of the book if you'd like to give it a star rating. I think it may be possible to write one on the Kindle, too, but that seems like it would be awful cumbersome and unpleasant to do.

And lastly (for now), my eyesight is failing and I can't afford to replace my specs yet, so being able to increase the text size is wonderful. No more headaches after a reading marathon. But it's crucial to note that a paper-effect eReader is what you want. Reading from an iPad or iPhone etc will give you sore eyes from glare. A Kindle paperwhite only does what it needs to, it can be read in bright sun with ease, just as proper book, and at night when I read in bed for an hour or so, I can use the dark mode which allows you to fall asleep as you're reading (the auto-off means you won't lose your place -- another great feature.)

The drawbacks: When it comes to artwork. I recently bought the illustrated edition of Bram Stoker's Dracula and a Kindle is just not up to that, fidelity-wise or colour-wise. I'd not buy a coffee table book in Kindle, of course, but sometimes there are nice illustrations (King's Dark Tower series, for example) and it'd be nice to see them.

There do seem to be more errors in eBooks. I was complaining to my sister (she used to be a Waterstones manager in the Manchester branch) that Stephen King's Revival had typos and she said it was something to do with the process of encoding. I wasn't too clear on that as some of them were homophones, but there you go.

With a bookshelf, you can pick out a book instantly to read, whereas on a Kindle, you have a poor swipe haptic and latency is an issue, too. There are filters to sort various criteria, but it's clumsy. Also, the cover of a hard copy will often act as a memory jog for what the book is about, particularly in anthologies, but on a Kindle, this isn't feasible.

The annotations by other readers. One thing that I intensely dislike is when there is a tiny superscript annotation that says '103 notations', meaning 103 other readers have noted that line. It's intrusive inasmuch as it pulls you from the narrative and makes you pay attention to the prose's technicality rather than it being an invisible means to the story. You can turn these off, as I have, but it seems some still seem to get through.

Battery life could be a drawback, but so far I only have had to charge my Kindle every three weeks which I think is pretty acceptable this side of a global apocalypse.

Sharing a book is impossible. Lending a paperback is almost a British tradition, or at least a tradition for bookworms, so being unable to pass on a book I've loved is a pain.

But, I think my biggest problem is this: I hate being tied to such an unethical company as Amazon. Even if I got a Kobo or other model of eReader, I would be tied to certain producers. Perhaps as importantly, as a writer, and buyer of my author friends' books, I'd be spending less on titles than if I bought a hard copy. In those circumstances (i.e Chrons authors) I try to by the hard copy.

And then, speaking of Chronners and hard copies, for people like @Jo Zebedee who have their own physical bookshop -- The Secret Bookshelf - Jo Zebedee -- it's undercutting them if local buyers go to Amazon. If Amazon wasn't such a monopoliser, we'd have a trading situation where physical bookshops could at least get in on that, and sell eBooks to their customers somehow. Maybe through some kind of licensing or franchising(?)

That was a lot longer than I'd intended to write, but as you can see it's an intractable situation, and I suspect, a generational one.
 
I've been seeing this more and more recently, which feels a little like the beginning of the end! If traditional publishers can't distinguish their products from self published products then I don't really see what relevance they have, nor do I see much of a future for them.

I hate typos and other editorial errors in books as they pull me out of the story every time and it is one of my biggest grumbles about self published work, though not the only one by any means. To some extent I can understand that getting their work properly proof read is maybe something a self published author might struggle to afford. However, this is not an excuse the traditional publishers can claim.

To be honest though, when I make something, I like to take pride in my work. If I paint a wall I'll be careful with the details; I'll mask the edges so the paint doesn't go where it's not wanted. I don't want my work to be spoiled by messy finishing. If I wrote a book I would be appalled if I was publishing it and taking money for it with it still filled with messy finishing like editorial errors. If I buy a shirt I don't expect to find it has fraying seams and if I buy a book I expect it to be equally well finished.

I'm reading Fitgerald's Tender is the Night at the moment - hostage to fortune duly offered up - and was intrigued to read this in the preface (or 'introduction' depending on whether you want to believe the title or the contents page)



It is not too late, however, to correct the​
mistakes in spelling and punctuation, and sometimes in grammar​
and chronology, that disfigure the first edition of Tender. On this​
mechanical level the book was full of errors; in fact, a combination​
of circumstances was required to get so many of them into one​
published volume. Fitzgerald had a fine ear for words, but a weak​
eye for them; he was possibly the worst speller who ever failed to​
graduate from Princeton. His punctuation was impulsive,and his​
grammar more instinctive than reasoned. Maxwell Perkins, his​
editor, was better in all these departments, but had an aristocratic​
disregard for details so long as a book was right in its feeling for​
life. Since Fitzgerald was regarded as one of his special authors,​
the manuscript was never copy-edited by others.​
<snip>​
...he was in no state to notice his own errors of detail.​
Scores of them slipped into the first edition and, though they were​
unimportant if taken separately, I suspect that they had a cumulative​
effect on readers and ended by distracting their attention,​
like flaws in a window through which they were looking at the​
countryside. That the novel continued to be read in spite of the​
flaws was evidence of its lasting emotion and vitality.​
Now that it is being reissued with Fitzgerald’s changes I have​
tried to give it the sort of proof reading that the first edition failed​
to receive. I used dictionaries and Baedekers and consulted several​
of the author’s friends; two or three of them had made their own​
lists of errors in the text.​

Any errors in that are mine not the author's
 
Partially @Phyrebrat.
I love having paperback copies in my hands etc, but dearly beloved old paperbacks have in the last couple of decades turned yellow and shrunk.....
Only been reading eBooks on my Android phone for the last couple of years but that has been useful in terms of always having something to do when waiting somewhere, enlarging text when I've forgotten my specs and so on.
I don't like Amazon's Kindle policy but do buy Kindle when stuck. However I first look to see if there is an author's website shop where I can buy an ePub direct. Or if there is an ePub from Smashwords.
Regarding software, as much as possible I read on ReadEra free edition - and it has a setting for a cream coloured page and also you can turn down the brightness. It is rather good for reading in bed without disturbing partner - I do also wear yellow glasses from about 8:30 at night to do the control of the diurnal clock routine, so put those on when reading in bed.
With a few books that I especially love, I will go and buy the paperback even when I have the eBook, to make sure I always have a copy and can't be defeated by old file formats or power cuts.
 
I thought I'd answered this question already, but apparently not.
If I want to read in English, but I want to buy in France, there is no way to go but ebooks.
Having said that, I am very happy to read on a kindle, either Mobis/kindle documents or other e-formats (using cool reader and the like).
The only difficulty is reading outside under the sun, during the summer. I have an old Paperwhite which works well for that, but the new tablet type kindles don't do reflection that well.

My Kindle Fire also does a good job as a middling (!!!) performant tablet for lots of other purposes, so it's useful for connecting to the Chrons when travelling, for instance.
 
A paper-book you can pluck from its reserved spot on a dedicated shelf... it trumps a gadget with a digital version of that same book. Who would not prefer that feeling, that smell, that look and weight over an e-reader? But that's not the issue.
I have probably 300 - 400 books in house on sagging bookshelves. And I have 1000+ books on my e-reader, from Plato to Jo Zebedee (plus loads more on my PC.) A complete library that goes where-ever I am going. I would rather forget my phone than I would leave my e-reader behind when I am going someplace.
Purely for practical reasons I use (and love) an e-reader - since, I think, 2009 - but mainly for fiction. For non-fiction books I prefer paper, hardcover.
And both, paper as well as an e-reader, have their pros and cons.
 
One of the nice features of ebooks, at least if you always buy DRM free books or else strip the DRM, is that you can correct errors. I found that necessary after getting an epub version of a book published some time ago in print. Unfortunately, the author liked hyphens and those had been converted into &;mdash; (which is HTML for hyphen). I was able to use Calibre to make a multiple edit to get back the hyphens and make the book much more readable.
 
It is better to have them as DIY projects than to allow Amazon to correct the text to say that "we have always been at war with EastAsia".
 
I read either. Its the reading that matters, not what form its in. And I can have a lot more ebooks in my hand than I can have dead tree books on my shelf.
 
If I have to correct ebooks to make them readable then they are a failure in my - ahem - book.
But that's the publisher's fault (or whom ever produced the e-pub) and not something to generally blame e-books for. Printed books have errors too, but those - contrary to errors in e-books - you can not correct.
 
But that's the publisher's fault (or whom ever produced the e-pub) and not something to generally blame e-books for. Printed books have errors too, but those - contrary to errors in e-books - you can not correct.
It is certainly the publisher’s fault, but the rare errors in printed books can be overlooked. If an ebook has enough errors that they need to be fixed before reading then they aren’t with the money or the paper they’re printed on.
 
I like paper books; these days hardbound--mostly because they often have bigger print
The main reason I don't read books any longer is because the print is normally uncomfortably small whereas with my eReader I can set the font to whatever size I want.
I'm surprised by the amount of -- dare I call it -- snobbishness about eBooks in the thread.
Yes!! ;)
But, I think my biggest problem is this: I hate being tied to such an unethical company as Amazon.
This is an issue but it doesn't take too much effort to learn how to convert to whatever format suits your eReader, then you have the freedom of using an independent reader and buying from anywhere.
Books should not be diy projects. If I have to correct ebooks to make them readable then they are a failure in my - ahem - book.
It is certainly the publisher’s fault, but the rare errors in printed books can be overlooked. If an ebook has enough errors that they need to be fixed before reading then they aren’t with the money or the paper they’re printed on.
That would be 'worth' I'm guessing! ;) As @Elckerlyc says this is the publisher/author's fault. Errors are rarer in printed books because they are mostly from traditional publishers who mostly do a better job of proof reading (though that's getting less and less true these days). Very often publishers simply scan pre-eReader era books and then don't check for scanning errors. That's just lazy! On the other hand most, though not all, self publishers only 'publish' on ebooks and if they were published on paper they, frequently, would be filled with errors.
I read either. Its the reading that matters, not what form its in.
Just this! It's the content that matters not the media. Sure, many people will prefer one or other format for whatever personal reasons but please don't judge ebooks as being somehow inferior and, dare I say it, less literary; that's just nonsense. They are simply a different media and, I'm afraid, trying to somehow put ebooks down and even stop them simply makes me think of a certain king and tides. I simply cannot believe everyone will be reading on pulped trees in, say, a hundred years time.

Those who worry about the Amazon monopoly should maybe speak to the vast majority of authors who only publish with Amazon (due to getting a better deal that way). Those authors are doing more to maintain the Amazon monopoly that anything else. For traditionally published authors I can nearly always find their eBooks as cheap or cheaper elsewhere. So, as far as traditional publishing goes, that monopoly is in danger of slipping now.
 

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