I really didn't want to weigh in here. I tried not too! But, I have had my own struggles with voting over the past two years I've been a member but i feel like I have come to terms with it.
First, I write to win. Like golf, if I don't, I simply am not focused, maybe even lackadaisical at times. But, I think this might be part of the problem. You see, I had some early successes by vote count, even a win. then fell off a cliff over the past year. Why? It's hard to know for sure but I think trying to 'win' is like gripping a golf club too tightly, it doesn't get the swing right, nor the ball nearer the mark. I now try to write what inspires me, what is in my ear, while trying to write the best story I can. That's my new motto. But I remain down the cliff base, and while it can be hard at times to be there for sure, I am ok with it.
Secondly, I routinely find stories that are poorly structured so I do think some can benefit (who knows maybe even me to!), from some simple learning on form and structure. Also, there are also many stories that I like a lot, some even I'd vote for, but are left wanting by the last line. It's tough to see something brilliantly written that just needed a bit more tweaking of the ending to bring it home.
Thirdly, judging by the stories that do get votes, I wonder if comeraderie has something to do with it? There are members that have been together for ages and have built relationships over that time. Why wouldn't that impact voting since it is a very normal thing. We all do it in our personal lives. We give preference to our close friends over strangers - especially during hard times. It's just human nature. It'd be interesting to test this theory using
@elvet's 100-worder but then again we would never have a standard sample to form the control group. Perhaps we do no-name 75-worders, where everyone uses a standard font? It might be interesting to see either way.
But I think none of these truly explains why some get votes and some do not as much as personal preference. I see the world through my lens, so why don't you see it my way? Seriously though, that's the big chasm I've crossed. For example, I tend to like stories that are:
1) Simply constructed, clear straightforward (a la : A designer knows he has achieved perfection not when there is nothing left to add, but when there is nothing left to take away)
2) Written with good grammar and structure
3) Have a big idea (about the human condition) along with emotion (but don't lay it on thick!). ie like Black Mirror, Twilight Zone
4) More contemporary sci-fi (I seemed to switch from writing harder sci-fi to this about a year ago. It wasn't conscious. It just was. This probably hurt me too)
Sounds reasonable right? Brendan surely has the lock on what constitutes a winning entry!
Well.. no.
Others may look at my list and state:
1) Simply constructed, clear straightforward = I don't do bland! I want to be engaged by verbs and flowing prose. Bring it on!
2) Written with good grammar and structure - I'm in it for the experience. We're not in grade school and this isn't a pop quiz!
3) Have a big idea over emotion (but great if both) = I want to feel man! Make me harbour your joy, pain and fear!
4) More contemporary sci-fi = I already do a 9 to 5! Bring on the orcs and vampires. I want to escape this mundane world!
Who am I to say they are wrong?
I am sure my preferences are in the minority on this forum. And as experienced, learned and well-read as Chroners may be, it's not to say their preferences are proportional to the population at large. It's a big world. Your audience is out there. I'm quite sure my preferences are not in the majority here or in the population at large, but I can't change. I try to keep this in mind when I parse rejection and feedback, as I remain open to their guidance at the same time.
BG