Interesting question. I'd bet it was a bit to mature to rope in many tweens and such.Was Gateway anyone's gateway?
Sex and suicide are so tween.Interesting question. I'd bet it was a bit to mature to rope in many tweens and such.
Yes! - H.G. Well's short stories are surprisingly good. You can see his influence shining through when you read Heinlein - especially the fantasy, e.g. Well's "The Magic Shop" and Heinlein's "Magic Inc."I was intrigued by the short stories of HG Wells quite early on. The first of his novels I read were 'The War of the Worlds,' and 'The Time Machine,' when I was about 14. For Jules Verne it was 'Journey to the Centre of the Earth,' and 'Twenty Thousand Leagues Under the Sea.' But my first choice you may find surprising: It was 'The Day of the Triffids,' by John Wyndham, which I read when I was about 14, quickly followed by every other book he had ever written
Christopher Priest famously criticized Wyndham's work as "the master of the middle-class catastrophe". Brian Aldiss condemned his books as suitable for an audience who 'enjoyed cosy disasters," but for me it seemed so 'real,' set as it was in modern Britain, and at the time I read it, 'Ban the Bomb' was a topical subject made even more real by the Cuba Crisis when the world seemed to be on the brink of WW3. By choosing to write about situations that were not about space, but relevant to the present day, Wyndham was a pioneer of a form of sci-fi we might nowadays call 'speculative fiction". I used to lay in bed dreaming of how I planned to survive when the bomb dropped. Later my tastes became wider and much more diverse in SF but I will never forget the day I first read 'The Day of the Triffids.'
And still an awesome book! Just finished reading it again about a couple of weeks ago. Great book to read for some insight into the nature of the Martians who raised Valentine Michael Smith in "Stranger in a Strange Land".Red Planet by Robert Heinlein for sure.
With me it's a toss-up between Heinlein's Have Spacesuit Will Travel and John Christopher's Tripods/White Mountain trilogy circa age eight. Between those two though I started looking for (and finding) more like them.
Have Spacesuit Will Travel is one of the very best of Heinlein's YA books. As far as I'm concerned there's nothing like them being published today.
Im surprised Tunnel in the Sky hasn't been made into film or even a tv series . It's made for both.Space Cadet, Tunnel in the Sky, Farmer in the Sky, Red Planet, Space Family Stone/The Rolling Stones - all brilliantly crafted stories, that really transcend the idea of 'juveniles'.
RAH's book about his writing (among other things) - Grumbles from the Grave is worth reading, if only for the anecdotes regarding his struggles with his publisher's childrens editor about what was permissible in juvenile SF at that time.
Very good point - I'm a boomer, so growing up in the UK in the 50's and 60's I had very little access to SFF visual media, and there only were books. Your point also shows why there are entire generations growing up that have no idea about the authors we consider the giants of SF - Asimov, Clarke, Heinlein, etc. Oddly, that doesn't apply so much to the Fantasy greats - Lovecraft, Tolkien, Le Guin, who are still devoured today.sargeant Fox said:In this day and age I think it's implausible that a person's first exposure to sci-fi/fantasy comes from books. I was probably watching cartoons and TV shows and movies in that vein before ever opening a book. Nowadays we're almost born with an innate tendency for it, so much is pop culture saturated by it.
The problem with this is that SF seems to be more inclusively counted. Virtually anything that could be thought of as SF, is.I think mainstream fantasy is less consistent achieved those heights. Labyrinth or Dark Crystal may be someone's guilty secret, but I'm not sure they beat reading a novel. Lovecraft is notoriously hard to translate into the screen. Whether it's dark fantasy or urban fantasy or high fantasy, it's very challenging to capture those visions. Take high fantasy or sword and sorcery. Let's assume Arnie's Conan movies are great (I do), but I wouldn't put John Boorman's Excalibur on the same league. And production-wise, Peter Jackson's LOTR blows both out of the water.
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