Recently picked up...
Latest 2 SF Masterwork offerings....
No Enemy But Time - Michael Bishop *Not a book I'm familiar with, although I believe it was a former Hugo winner. Blurb: Joshua Kampa is torn between two worlds - the Early Pleistocene Africa of his dreams and the 20th-century reality of his waking life. These worlds are transposed when a government experiment sends him over a million years back in time. Here, John builds a new life as part of a tribe of protohumans. But the reality of early Africa is much more challenging than his fantasies. With the landscape, the species, and John himself evolving, he reaches a temporal crossroads where he must decide whether the past or the future will be his present.
Time of the Fire: The Best of Connie Willis*I've read a little by Willis but this is the first collection of her shorter fiction I've ever had. Blurb: An original collection of stories from the SFWA GRAND MASTER AWARD-winning author - the first original SF Masterwork.
Stoner - John Williams *This is another NYRB publication but not one I would have taken a lot of notice of except for the literary notoriety this book has received as a re-discovered classic starting off as a publishing phenomenon in Europe before returning to its home in the US. Hailed by many writers and critics as one of the great 'forgotten' now re-discovered works of the 20th Century. Quite an accolade. Blurb: William Stoner is born at the end of the nineteenth century into a dirt-poor Missouri farming family. Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar’s life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a “proper” family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude. John Williams’s luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.
Finally....
The Last Dark - Stephen Donaldson *Final book in the final Covenant series, I'm looking forward to seeing how it all ends after first discovering this seminal series in the early 1980s. *May contain spoilers* Blurb: The bestselling fantasy series from one of the biggest names in the genre comes to an unforgettable conclusion. This is the final volume of the epic Chronicles of Thomas Covenant - one of the keynote works of modern fantasy. Compelled step by step to actions whose consequences they could neither see nor prevent, Thomas Covenant and Linden Avery have fought for what they love in the magical reality known only as 'the Land'. Now they face their final crisis. Reunited after their separate struggles, they discover in each other their true power - and yet they cannot imagine how to stop the Worm of the World's End from unmaking Time. Nevertheless they must resist the ruin of all things, giving their last strength in the service of the world's continuance.
And on order from the excellent NYRB series..
The Black Spider - Jeremias Gotthelf *I hope to review what seems to be regarded as a European horror classic once I get hold of it in a couple of weeks time. Blurb: It is a sunny summer Sunday in a remote Swiss village, and a christening is being celebrated at a lovely old farmhouse. One of the guests notes an anomaly in the fabric of the venerable edifice: a blackened post that has been carefully built into a trim new window frame. Thereby hangs a tale, one that, as the wise old grandfather who has lived all his life in the house proceeds to tell it, takes one chilling turn after another, while his audience listens in appalled silence. Featuring a cruelly overbearing lord of the manor and the oppressed villagers who must render him service, an irreverent young woman who will stop at nothing, a mysterious stranger with a red beard and a green hat, and, last but not least, the black spider, the tale is as riveting and appalling today as when Jeremias Gotthelf set it down more than a hundred years ago. The Black Spider can be seen as a parable of evil in the heart or of evil at large in society (Thomas Mann saw it as foretelling the advent of Nazism), or as a vision, anticipating H. P. Lovecraft, of cosmic horror. There’s no question, in any case, that it is unforgettably creepy.