Big Honkin' Exchange of Spirits
I think this eppy worked very well. A little talking-headish until the dramatic end however. Liked the conclusion, tidy. No obvious loose ends.
What I liked: Daniel's "how could you not notice" hair and coffee-spilling scene; Jack's urgent need of little boys' room and craning his neck to see inside Sam's house; Daniel's line "...I mean, go slow"; Sam seemingly more human, less perfect; sound of Sam's footsteps as she runs off and Orlan is telling her he loves her; shots from surveillance camera and music that accompanied it; Martin Wood's precise, creative direction.
I liked Orlan but he seemed a bit pathetic to me.
And may I ask a favor: my sound cut out just as Sam and Orlan are set to go through the mini-gate (wasn't it cute? Wish I had one.) - question: what did Orlan say *after* he said, "you know how I feel about you"?
Ready for The Fifth Man. Let's hit it!
Yours, Orange
I think this eppy worked very well. A little talking-headish until the dramatic end however. Liked the conclusion, tidy. No obvious loose ends.
What I liked: Daniel's "how could you not notice" hair and coffee-spilling scene; Jack's urgent need of little boys' room and craning his neck to see inside Sam's house; Daniel's line "...I mean, go slow"; Sam seemingly more human, less perfect; sound of Sam's footsteps as she runs off and Orlan is telling her he loves her; shots from surveillance camera and music that accompanied it; Martin Wood's precise, creative direction.
I liked Orlan but he seemed a bit pathetic to me.
And may I ask a favor: my sound cut out just as Sam and Orlan are set to go through the mini-gate (wasn't it cute? Wish I had one.) - question: what did Orlan say *after* he said, "you know how I feel about you"?
Ready for The Fifth Man. Let's hit it!
Yours, Orange