Finished The Boys:
72 issues, three six issue limited series and Garth Ennis’ deconstruction of superheroes comes to an end. Well written, strong characters, funny and in so many ways vulgar Ennis has something to his longer completed series, Preacher and Hitman.
In a world where superheroes exist, but are unlike any we might know, yet somehow seem to be achingly familiar there needs to exist a small unit to keep them in check. And that would be The Boys.
Like so much of his stuff the humour defuses much of the swearing, sex and stuff that you never thought you would see in a comic book and it disguises the fact that the series is quite multlayed with numerous plotlines running together, that the hedonistic behaviour of the heroes overshadows. With a lack of moral fibre in the superheroes, to corporate schemes, to the heroes wanting to rule the world, to the Boys trying to stop them, with touching relationships and epic stories, through to heroes becoming villains, it is a universe in its own right.
Perhaps the most stunning thing is the fact that all the ludity is dropped for the last 13 issues and you get a conclusion that is probably one of the best Ennis has offered in a long time. Better still is the feeling that it is not over, that the world continues, that although the big problems have been dealt with some of the issues still exist and that is the way it should be.
One of the high points has to be the Butcher limited series, if ever there was something that could make a monster human, elicit sympathy and then make sense of why Butcher would become what he becomes, this is it. And the Herogasm limited series, because you cannot believe that a comic could be published containing that kind of material.
The ending is a gripping as any thriller, and pays off well.
Its not going to be everyone’s taste, but it is a series that stands out as something that has attempted to do something different and stretch the boundaries of what superhero comics are, to look at them in a different light.
Next up Buffy Season 9 (or the second major storyline)