That's exactly the thing. I don't mind long, rambling descriptive passages if the prose is so pleasurable to read. Otherwise my brain just switches off and I can't wait to get past them. Personally I find Eddison far more pleasurable to read than Tolkien.
I can see that. Tolkien's prose was often more "workmanlike" in approach (though really quite variable, beyond the changing to older idioms later in
LotR), whereas Eddison's chosen form of prose is elaborate, sometimes convoluted, and richly poetic. It certainly adds to the effect of being in a different realm, but it's a difficult thing to pull off successfully. Fortunately, Eddison had the knack, and as a result the book is a sheer joy to someone who enjoys richness of language.
By the way... are you planning on moving on to the ther three books? I would highly recommend them, though the structure and story becomes more complex (and a bit abstruse, at times). And yes, I do include (and recommend) the unfinished The Mezentian Gate, as there is enough finished there (including the conclusion) to make it stand up well with the others.
As for myself: I have now finished
The Man-Wolf and Other Tales, and am moving on to one final Erckmann-Chatrian collection,
The Invisible Eye, edited by Hugh Lamb. While also containing the stories from the Hawthorne anthology (as well as one more from
The Man-Wolf and Other Tales), these are, I understand, newer translations; in addition to which there are several other stories I've not yet read by them. After that -- most likely, at any rate -- I should be moving on to Maurice Level's
Tales of Mystery and Horror. (Level, for those interested, was one of the shining lights -- if that's the proper phrase, considering -- of the Grand Guignol.)
Not all the stories in
The Man-Wolf were supernatural or even weird, though all were rather well-done. But those that were, are certainly memorable, and "The Queen of the Bees" (not, by the way, listed on the Contents page) is an especially notable one, being more of a wonder tale with a strong element of pathos, though by no means lacking in eerieness and a genuine frisson of terror, in its own odd way. It is the story of a young blind girl with a strange affinity for the bees kept by her father, which enables her to see through their eyes, as well as feel their emotions....