Hi
@Parson -I'm glad you posted here because I didn't understand the story in your story, however, after catching up on Chrons business, I'm now clued in. I understood what the terms meant, though, so I wasn't at sea
@Joshua Jones I understood yours completely, and had the genre been something along the lines of twisted fairy tales/fariy tales/fractured fairy tales etc as we've had in the past, I'd've definitely considered it for a vote, but I have a rather brutal criterion for voting; If any story references or relies on understanding of an existing story or franchise to 'get' I automatically discount it, so as the Cinderella story is one well known, I couldn't vote for it and keep to my internal logic.
Most months I have to discount stories because of this. It might seem unfair - and certainly people have moaned at me in the past - but we all draw our lines in the sand - and I feel that the challenge is to create a world in 75 words or fewer. To then rely on an existing story gives an unfair advantage IMO. This would be true for anyone who references their own work or previous stories. I'm the same with typos and so on, and I often wonder why members post stories within the first day or two of the theme going up without doing their due diligence. Would we submit to agents or publishers something that was not our best, original work?
Given, some people only enter these stories for a bit of fun, but I find them an indispensible barometer of my learning and improvement/failures
I think this, (again, for me ) is why I have stopped reading the reviews that Victoria and others do. I appreciate the effort that is taken to write them, but feel it is a dangerous path when they can be taken as the empirical meaning of our submissions. I've read reviews of mine over the years and been bemused as to what or how the reviewer saw what he/she saw. Certainly I think a reviewer should not make comments on the quality of the stories until after voting has passed; Parson, you frequently post in a different colour under certain stories that you have enjoyed in your review post, and I think that's unfair to those in that post who have not had a comment from you. I think it fairer to do it all-or-nothing.
With the best will in the world, we can say 'they're neutral' and 'just what the reviewer sees', but the people who read those reviews are - erm - human and will take from the review according to their own filter and experiences. This may be, 'Oh, now I get it', 'What?!' and even, 'Well, it's a review so that
must be what the story means,'
I say this all in the sense of expaining how I feel about reviews and how inadvertantly influential I feel they can be. Without singling anything out, I have twice been rather put out by impolitic or inexact word choice when my story has been reviewed - not in what they saw, but how they said it.
But we all see what we see - I had to check with people this month if it was clear that my story was comparing arthritis or "The Twist" to a man whose family legacy makes them turn into trees that then line the estate. Some people thought it simply a tale about an MC getting arthritis.
pH