A quick dash in with the final round of comments...
Harebrain - There was a sense of the truly strange here. What really worked though was that with all the bizarre happening it is presented as common place, which sells the story perfectly, the mundane conclusion, just completes the story with style - with everything that happens, the most notable thing is the lack of snoring it really makes the uncanny feeling work.
Phyrebrat – There is something really magical here. The casual nature in which the storyteller accepts the wonderful things being built in Lego, is excellent in itself, but the hope and wonder of what he might do next really give the tale a gleam that transcends a straightforward tale of magic building.
Moonbat – Not only was this a cracker of a story, but I thought that the opening line was a real winner as well, there was something the way it just rolled around the mind that made it extra special. The actual payoff was clever too, it seemed as though the creator of the potion was going to get the other to do what he wanted before he even gave him the potion... if there ever was one.
James Coote – It’s clever sometime how magic can be interpreted, how something that might be chance could also be mystical in nature, and you can never be sure which is which, and that is caught perfectly here. Did the stone fall by blind luck or was it something more arcane?
Highlander – It is tempting to say that there is something intently psychological in this story, two sides of the same coin, evil and good, it has an epic feel to it, and I loved the alternate spelling of Majik which gave it a foreign feel. The end was spot, the face beneath the mask, one’s own.
Luiglin – Taken as a whole this is one of those stories that could be easily made into something longer, but in the short form it is strong, with a great concept – good to see different views of what is going on presented (liked the landlord’s the best!), but what really caught me was the opening line, poetic and beautiful.
The Spurring Platypus – There is an oblique nature to this one, but an awful lot to think about – showing once more just how much can be squeezed into 75 words. The best bit for me was the end, where first the deer speaks and then the arrow. There is so much loaded in the first question, then the second command – does the arrow mean put it away as shooting the deer to feed the family, or if he looses the arrow will the consequences be that he i caught and can no longer provide?
Parson – Ahh the monthly story hinting at smut, but from Parson?
It’s a great tale, made me smirk and wince. In order to feed his somewhat dubious fantasies, our main character is not above stealing. Unfortunately the old saying haste makes waste is more than fitting here. Spectacular just desserts.
Cul – If this does not put a shiver downs your spine then nothing will. The idea has been seen before, but there is something almost glittery in the way it is told that really makes it magical throughout, making the end so much more powerful. Never have three words grounded a story so quickly.
TJ – There is always a price to pay for the use of magic, and this story quite perfectly demonstrates that. Using magic to get on with your career, to improve other people’s perceptions of you might be a mystical world equivalent of plastic surgery without the possible consequences – but then it all catches up with you in the end (Especially if you can’t pay!)
Ursa – A great title for the piece, and a well told story to follow. You can almost feel the oppression that our protagonist feels in riding the elevator and worse being trapped, and the relief from the song playing. What really makes it work is the thought that even in the end his beloved is watching over him. Now that is magic.