soulsinging
the dude abides
- Joined
- Oct 23, 2008
- Messages
- 2,499
There simply isn't enough narrative road in two books to bring together all the plots and sub-plots of ASOIAF, unless Martin resorts to cheap tricks like winnowing down characters by the dozen in the next book. Even if he sticks to ten major character POVs, those character will only get 8-9 chapters each in a book. That's 80-90 pages. Let's say he shows the same ruthless winnowing in the last two books (which I doubt is even possible, to be honest). Who here thinks Dany's story can be resolved in 170 pages? Or Arya's? Or Jon's? Not gonna happen.
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I don't think he is lazy or showing contempt for his fans. I think he understands more than anybody, and has for years, just how badly he has let himself get tangled in a story of maddening complexity. And now he dreads sitting down to the computer to untangle the mess he created himself.
Well put! I've never doubted his intentions, but I agree it seems like he's written himself into so many plot lines that he just cannot resolve them all in a mere two books. I suspect we're still a long way from the end. I also suspect it will be worth the wait if he can find a way to tame his drag... *cough* ... matic narrative structure.
In the past, I've named James Clavell's Shogun as the book that introduced me to the large scope, political, wartime, and all out intrigue genre... of which ASOIAF is by far my favorite. At this point, I don't need it to end. I'm not advocating a never ending cycle like Riftwar or Shanarra nor a continuous serial like Star Wars or Dragonlance. I'm enjoying the world... so as long as GRRM has the will, I'll wait.
Incidentally, Shogun is on my list to read this spring. I do love a good epic, but I think part of the source of my love/hate with GRRM is that in the back of my head I'm always sort of thinking of Shogun, Lonesome Dove, American Tabloid, Dune, Catch-22, Count of Monte Cristo... and I always think if they can write strong stand alones (most of those did spawn sequels of varying quality, but the strongest early works stand on their own as stories) then how come George can't seem to even get major developments like Dany to Westeros or the Others to wall (I've been waiting since the prologue of book one to see some Other-wooping badarsery!) within 5 books?
But man, when he's on, there really is almost nobody better.