Many thanks to all those who posted messages of sympathy... much appreciated.
Is there a quiet corner in the 'rejected room' for curling up and having a good old fashioned sulk? If so, count me in!
They are not Gods either. Publishers regularly ignore "winners" later massively successful with a different publisher and often promote rubbish, some of which is very successful and other sink without trace.It suggests they have something very specific in their sights
They are not Gods either. Publishers regularly ignore "winners" later massively successful with a different publisher and often promote rubbish, some of which is very successful and other sink without trace.
The work I sent in has previously made it to editorial meetings at 3 publishers so it is in good shape - just not what they are looking for.It's scary how such excellent writers are being rejected. It suggests they have something very specific in their sights and if your story doesn't tick whatever 'saleable tag' box they've given their reading teams, you're out, regardless of how well you write.
I have a story about a school that makes magic chocolate, my real name is K.J. Rowntree.All publishers are scared of missing the next JK Rowling
It's scary how such excellent writers are being rejected. It suggests they have something very specific in their sights and if your story doesn't tick whatever 'saleable tag' box they've given their reading teams, you're out, regardless of how well you write.
Well, no-one can argue that confectionary hasn't been important in literature. After all, the tale of someone distressed because they'd been deprived of toffee as a young man provided one of the... er... original examples of a writer being catapulted to fame. The author was the great Goethe and his book, Die Leiden des jungen Werthers....have a story about a school that makes magic chocolate, my real name is K.J. Rowntree.
"I want you to know that passing on it was not an easy decision. Our readers were very impressed with your work."
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